
Tenk : Split Focus
Ann Cvetkovich explores the concept of political depression in her 2012 memoirist collection of critical essays Depression: A Public Feeling. Forged out of political turmoil—be it the effects of a fascist electorate, natural devastations, predatory police state, continual war-mongering, epidemic threat, an unrelenting housing crisis, or the abusive domestic realm—this physiological and social ailment engages a tension "between the everyday business" and “the urgency of disaster.” Cinematically, political depression results in tense imagery, at times static, at times freewheeling; tremulous and unknowable, political depression launches a flagrant way of seeing, a layered and laboring visuality—"a split focus".
In Split Focus, a spotlight programme featuring works from the Canadian Filmmakers Distribution Centre’s (CFMDC) collection, the filmic avant-garde mirrors the embodied and felt textures of this public feeling. Think, the tedium of daily commutes, where a seated factory worker in a crowded bus flits in and out of interrupted slumber, cataloging her eye contact with numerous passersby.
