Film Categories: Activism + Protest

  • Justice

    This animation is about the symbiotic relationship humans have with earth and about a mother’s journey to seek justice for her child. The big foot tramples on a baby flower before it has the chance to flourish. Her mother journeys through the roots of the earth and sprouts into various forms of life as the tries to cling onto the memory of her child one last time. Together, the plants expel a seed from the bosom of a rose and plant the seed of Justice into the earth. Animation is created with charcoal on paper by Jesi Jordan. ‘Justice’ musical…

  • Woven Account

    After the artist’s own gaybashing in the Bay Area, they wondered what it would take for their story to make the news. Allegra went on to research reported instances of hate violence targeting LGBTQIA2s+ individuals in the archives of 16 local print and online newspapers. After going through nearly two years of archives – the artist discovered only 33 articles detailing individual hate crimes or stories concerning hate crimes legislation for the broader LGBTQIA2s+ community in the Bay Area. Where they could get their hands on the physical news articles detailing hate crimes, the artist spun that newsprint by hand…

  • Akedellic

    An unfinished experimental film about the horrors of war. sound will be added.

  • Saving Gorillas. One Sip At A Time

    Uganda is home to the critically endangered mountain gorillas surrounded by people near their protected habitat who are also struggling to survive. Doctor Gladys Kalema – Zikusoka realized that the farmers were not being given a fair price for their coffee, which led them to use the national park to meet their basic family needs for food and fuelwood. Thinking about new opportunities for the African Community as well as saving the gorillas from diseases and poaching, she founded a social enterprise so humans and gorillas could coexist.

  • Field Trip

    “Field Trip” is a travel diary on the American social landscape. The images consist of visual research for future film projects and were accumulated during my many location scouting trips to the United States between 1980 and 1995. Over time, I have come to regard this photographic archive as a collection of works of historical and personal value. Over the years, I began to rework the photographs. The more I handled and touched them, the less I thought of them as photographs and the more I saw them as something that could be hand-shaped, altered, transformed and re-imagined. With three…

  • fuck

    A short solo film made in quarantine, “fuck” is part silent meditation, part protest, part magic spell for a better world.

  • HK Uprising

    A tribute to the ongoing protests in Hong Kong that are taking place three decades after the Tiananmen Square uprising. Note: This film can be displayed as a multi-channel installation with May 35.

  • Sab Shimono: Acting “As If”

    On the eve of his eightieth birthday, acclaimed Japanese American actor Sab Shimono reflects on his lifelong commitment to the craft of acting, his struggles against racism and homophobia, and how his life was transformed by gay bars and marriage equality.

  • Rema Nascentes (Rheme maining sources)

    A place-specific film-excavation of the Bixiga neighorhood in São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape. Allegory: lobby-color, speculates. Hollow in the heart of the city, a rock. A bird ‘rappina’ lands. Novelty: Quilombo, alley, dealers: step. Vai-Vai samba school’s black and white banner. Pictograms from Benjamin’s “The Arcades project”. Progress: plugging a river while it’s possible. Commodity: Matarazzo & Metro. The real state of things, real estate: banning organic. Ground- quotation, avocados, blue taroes, water tanks, oxum: (cosmo) political reaction. Rheme maining sources: life asking for passage.

  • [Être]

    [Être] was a thrift shop and eventually underground screening space in Montreal’s Mile End district. The space featured as its main attraction objects picked-up on garbage nights and accrued over many years by proprietor-curators Alek Gruszczynski et Ewa Zbroch. To be inside [Être] was like being hermetically sealed-off with a proliferation of objects, and objects containing objects, an accumulation of things and surfaces and scents that invariably activate all the senses. Shot in the basement and on the main floor of [Être] just before it closed its doors forever, this film gives a sense of what it was like to…