Film Categories: Aging

  • Elegant Flower

    ‘Elegant Flower’ is a diaspora story that follows the life of a Hungarian refugee over the course of his 60th birthday weekend. Burdened by the separation of his beloved family and little sister, Zoltán Király engages in activities to bridge this chasm of geography and time. Incorporating beautiful 8mm found film and distinctive Toronto landscapes, one is given a subtle revelation and connection into this quiet and passionate man’s internal struggle.

  • Bruce Eves In Polari

    BRUCE EVES IN POLARI is an intimate, upclose and personal portrait of Bruce Eves, the 2018 winner of Canada’s Governor General’s Award in Visual and Media Arts – that country’s highest honour. Eves’ work has remarkable intrinsic value that also engages key aspects of culture and history. His story began in Toronto’s clique-riven avant-garde art scene in the mid-1970s. As practicing artist and Programming Director for CEAC (Centre for Experimental Art and Communication), among other activities Eves crafted socially-engaged performance art pieces that were shown in Canada, throughout Western and Eastern Europe, as well as the United States. This included…

  • everyday star

    Everyday states of being and decay are observed through the infinite scope of the cosmos and the restorative light which emanates from it, driving cinematic and photographic impulses.

  • Bubba

    BUBBA shows the portrait of an old man (the filmmaker’s grandfather), altered in several, increasingly abstracting ways. The first way the man is shown is through composite imaging, and the use of masks while shooting 16mm on a Bolex camera, achieving surreal, distorted, cubist-like impressions of the face. The second effect was achieved by sandwiching the negative print and positive print of the original portraits and printing them using a Model J printer. The third, and final effect was generated by hand processing the negative/positive hybrid, alongside negatives from a previous film. The concluding effect is a feeling of the…

  • Pulp Revelation

    “Pulp Revelation” is a surreal tale born from the bizarre realm of the Bible’s Revelation prophecies. A cryptic vision of the second coming of our maker…but did we make the maker? Is redemption, betrayal and rebirth a never ending cycle for mankind? A grand yet intimate journey of memory, faith and the zenith of artificial intelligence.

  • Nachlass

    “Nachlass” is the German word for inheritance. It is also the word for posthumously published works. Most commonly, it is used to describe all the things, both the valuables and the junk, left behind in an apartment after its inhabitant has died. In Nachlass the everyday objects of a Ukrainian immigrant to Canada function as placeholders for all of the information that has gone missing between languages and cultures in the process of immigration. However, although this story at the turn of the century is one, which must operate beyond the realm of language, its continuation today in the Germany…

  • Leavings

    The end of life comes for one half of a long term love relationship. “Leavings” is about the last sacred moments alone together before authorities, family and friends learn of the death. It portrays a tender offering that begins to deal with the messy remains of a vessel so well known as to have been studied intimately.

  • Meet Me Under the Clock

    “Meet Me Under the Clock” explores a little-known time in Toronto’s LGBTQ history when an underground Halloween tradition became an annual confrontation between an invisible gay community and a fascinated, often hateful public. “Meet Me Under the Clock” tells the story of Halloween at the St Charles Tavern, a Yonge Street gay bar, throughout the 1970s. Each year, thousands of straight spectators would gather to throw eggs and jeer at the men attending the bar’s annual drag party. This unknown Toronto history highlights the role that LGBTQ spaces play in providing sanctuary and community, the complicated relationship between the LGBTQ…

  • Midnight at the Continental

    Toronto, 1955. In the heart of Chinatown, a new bar opens: The Continental. It’s dark, grimy, and attracts an unusual clientele. Local tabloids scream in 20-point font: “Sapphos overflow Chinatown!” The bar becomes the meeting place for two of Toronto’s marginalized communities: Chinese-Canadian men and lesbians living “the life” full time. Recounting this forgotten piece of Toronto queer history, artists Hortie and Reynolds tell the story of Toronto’s first long-standing lesbian bar using original shadow puppets, overhead projector animation and archival images. Pull a stool up to the bar and watch lesbians and Chinese men stand side by side, battling…