Film Categories: Anthropocene

  • Abandoned

    An unfinished housing complex has been abandoned. The imagined future from the past is taken over by foliage and wildlife.

  • Notes from the Anthropocene

    Filmed in vibrant super 16mm color, and black and white film, Notes from the Anthropocene, is a sensory elegy to the dinosaur. The dinosaur icon shifts from narratives of extinction, to human exceptionalism, and power. Its materiality whether fossil or plastic toy has, through popular culture, become entrenched in the imaginary of oil extraction and fossil fuel production. Notes from the Anthropocene is a speculative iconological look at the dinosaur, delivered by an imagined museum guide who ponders our symbolic relationship to an increasing ambivalence towards the natural world. The mythic dinosaurs that emerge resist domestication and seek to transcend…

  • On A Clear Day You Can See The Revolution From Here

    An expansive journey through the Kazakh steppe, On A Clear Day You Can See the Revolution From Here excavates layers of myth, history and geology to reveal the shifting fault lines between a government, its people and their land. The film brings into focus Kazakhstan’s search for a post-Soviet identity and a state-sponsored programme of cultural production that on the one hand connects back to the ancient folklore and belief systems of the Silk Road, while on the other, seeks to embrace the values of Western capitalism. Taking an experimental documentary form, On A Clear Day provides a meditative faux…

  • Prairie Grizzly’s Peneplain

    “Prairie Grizzly’s Peneplain” is a meditation on various natural and manufactured landscapes in southern Saskatchewan. This region is part of an ancient Precambrian seabed rebounding from the last Ice Age which once had a dynamic range of wildlife, plants, and wetlands supporting various ancient cultures that flourished here for millennia. Up until the late 1800‘s the Prairie Grizzly thrived on the Canadian Prairies. The bears that managed to migrate further west to the Rocky Mountains faced a difficult transition, although they have managed to survive in their new homes. Along with the plains buffalo, the have become a presence in…

  • 75 Years

    The atomic bombings of Hiroshima and Nagasaki 75 years ago initiated The Cold War. 75 Years is a cinematic meditation on The Cold War and photography. 75 Years is comprised of surreal, evocative still photos put into motion and edited like cinematic footage. The images are often stunningly beautiful. Though not documentary, they feel like they were shot at ground zero of an annihilation. And they are sequenced to suggest such a narrative—from a Prologue to an Aftermath. All the images have some degree of motion blur, so they range from representational to abstract. At their most abstract, they look…

  • Atmospheric Pressure

    As cows are milked on a British dairy farm a cataclysmic storm builds on the horizon. A mysterious meteorologist investigates the bizarre weather event and follows his equipment to the farm. But in the face of such contingency (the driving rain and restive animal life) can his research yield any results?

  • Qualcosa di Rosso, Qualcosa di Blu

    Qualcosa di Rosso, Qualcosa di Blu combines layers of 16mm and 35mm found footage films to create a lyrical journey that accompanies the viewer into the depths of a dream of another life.

  • Green and Red, But Terracotta Red

    We are looking through the mirror of time, into distorted memories, while several narrators tell us about the most vivid colours in their dreams. The film consists of a collage of 16mm found footage that I further processed and decayed using a gentle combination of bleaching techniques. This process allowed me to partially lift the emulsion from the film base and re-shift it and re-position it by hand. Faces are warped, homes collapse, memories fade and blur.

  • 04/19/1968

    Layers of history merge with layers of media in this hybrid experimental film. An autobiographical ode to the filmmaker’s family and what’s left of their memories. A remediation collage of 16mm film, old 35mm Kodak slides and a digital computer screen. Filmed with an old DSLR camera at a specific angle in order to capture the ethereal reflections.

  • Fevered

    ‘Fevered’ is a meditation on the heated drama enacted by lakes and rivers as winter unravels. Piecing together 16mm footage and sound recordings, Peters re-imagines the pulsing of waterways as a metaphorical rhizome swelling outward in a feverish response to global warming.