Film Categories: Anthropology

  • FOREIGN QUARTERS

    My mother’s lost Chinese heritage was a point of departure in this film which investigates the process by which an image is constructed in places foreign from that of my own. The condition of distance genetic to the ethnographic image traces the elusive qualities of her past and persona.

  • Schèmes Arbitraires

    Four choreographies in a continuous narrative working through themes of struggle and beginning within conformity and control. Five Dancers as part of a larger group of dancers, and then exploring freely in the past before being moved into the conformity space, finally they are allowed periods for competition and then play both of which inevitably reinforce, and lead them back towards, the conformity space. This project is very much a collaboration between most notably Gelymar Sanchez, a montreal choreographer, Sebastien Lavoie, an Oxford experimental musician, and Sean C Dwyer, an actor and filmmaker. Each of them have had interesting, exciting…

  • Untitled (Horse)

    A symbiotic collaboration in movie motion. The logic and order intended by Muybridge are destroyed as a means to examine the sublime qualities of the cinema.

  • The Queen of Material

    A short procession of colorful material and a mysterious woman lit by the sun. A paean to Kenneth Anger.

  • If I Were Any Further Away I’d Be Closer to Home

    A silent poem reflecting on the place of my mother’s birth and her first traces on earth. A generational portrait of South Asian “makers” becomes a perceptual voyage into memory, experience, and touch.

  • The Spectre Watches Over Her

    A reaction to the seminal text by Swiss anthropologist Paul Wirz entitled Exorcism and the Art of Healing in Ceylon, this high contrast hand processed film considers a history of colonialism and ethnographic practices in South Asia. At my mother’s village, I re-staged an exorcism once performed on her in the early 1960s when she was a little girl. Possessed by the lecherous entity known as the Kalu Kumara, the Sanni Yakuma healing ritual was performed over a 12-hour period.

  • Potamkin

    In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world’s most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness. At the Odessa steps, trampling gives breath to the child. The bullet miraculously reforms the face. The Cossacks march backwards, retreating unseen into their…

  • Soy un ser cuyas raíces // I am a being whose roots

    Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish & German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration,…

  • The Exile (Pituvahalaya)

    Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era. The visions of an exile are carried through an immoral silence, to an end both dubious and bittersweet. World premiere at 64th Internationale Kurzfilmtage Oberhausen, 2018

  • Ode to the Nine

    “Ode to the Nine” is influenced by video artist Jon Rafman. His work “9-Eyes” and “You, the World and I” inspired the filmmaker to make this video piece. This short experimental video allows the filmmaker to ponder the relevance of the moving image and what impacts it has on the Native experience of the past, present and future.