Film Categories: cameraless

  • Heimat

    The short film “Heimat” is one story from ten stories in “Three Borders.” It is the story of the filmmaker’s father about migration and homeland. “Three Borders” is a 55-minute found-footage film reminiscent of Chris Marker’s “La Jetée” (1962). It consists of family photos of the artist and of other anonymous found (family) photos. In the style of Magic Realism, the video narrates anecdotes from the families of Alisa Berger’s Jewish father and her North Korean mother. They address the overcoming or the construction of inner and outer borders which span three generations.

  • May 35

    A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne

  • the framing of perception

    “I saw the light…” Sun, light, darkness, shadow — from time immemorial all weighted with significance and wonder. What mastery over nature, over others, to grasp the sun, control light itself! Know its speed, its heat, its colour, its radiation, its nature – is this not the power of the gods? Cinema is messaging with light and shadow. Figure and ground. Light, onto which we project significance, now transports our information. Perception shaped by our experiences, our interpretations, our projections, our illusions. Frames of drama and comedy, journalism and documentary, propaganda and advertising, all combined daily and edited, reproduced for…

  • Letters From Vancouver

    Letters from Vancouver (1973) comprise two films, made at the same time, that share a common interest in “the medium is the message” (McLuhan), and form a reflexive, self-referential enquiry into the film medium itself. Together, “the politics of perception” (33min)and “the framing of perception” (33min) form a meditation on our audio/visual creation, bearer of information and culture, meaning and representation. It is a medium with extraordinary powers, able to evoke the deepest feelings of love and loss, anger and fear, laughter and thoughtfulness, yet of great fragility, fading with time, precarious on a perforated strip of celluloid.

  • The Shouting Flower

    A work about collaboration and process, “The Shouting Flower” approaches political resistance from multiple subject positions–plant, child, filmmaker–in an attempt to model what Anna Lowenhaupt Tsing calls “work across difference.” Using images processed in plant material that was gathered at key locations throughout the city, as well as direct animation and audio recorded on a child’s toy, the film documents its own creation within a landscape of hostility and neglect. A collaboration against cooperation, it becomes as it refuses. Refusing, dispersing, it shouts, “No!”

  • Night Visions

    Night Visions developed as a conversation about psychic energy, sleep cycles and synaesthesia. The result is a haunting spell of colour and rhythm.

  • H2T

    Shot on several types of film (16 mm and Super 8 format), ranging from handmade film emulsion to expired films, H2T takes place in the mighty Hotel2Tango Montreal recording studio. The film is a chemical composition where light meets the effervescence and creativity of the band Land of Kush (Constellation Records) during the making of their latest album, The Big Mango (2013). Filming of the recording session during rehearsals and breaks, the picture is just as ephemeral as the musicians’ movements. H2T reflects on the performative aspect specific to experimental film and musical performance.

  • Mrs. Deborah Corde

    A spam email tells the story of a colonial couple and their search for someone to claim their millions. Using archival footage and the melodrama outlined in an email from a junk inbox, worlds of isolation and desperation collide in an ultra short film that brings to life a tale designed to scam someone.

  • the medium is the message

    An age of numerology communication : numbers digits : representation algorithms : codecs compression : bitrot : memory what message? THE FUTURE IS THE PRESENT

  • Green and Red, But Terracotta Red

    We are looking through the mirror of time, into distorted memories, while several narrators tell us about the most vivid colours in their dreams. The film consists of a collage of 16mm found footage that I further processed and decayed using a gentle combination of bleaching techniques. This process allowed me to partially lift the emulsion from the film base and re-shift it and re-position it by hand. Faces are warped, homes collapse, memories fade and blur.