Film Categories: Canada

  • A Conversation With Hana

    During the Lunar Year, Yong talks to his family living in Korea from Canada on Skype and partakes in the new year ceremony online. Later on, Yong has a serious conversation on topics ranging from marriage to religion with his 9-year-old sister Hana whose only wish is to see her brother someday.

  • 24.24.24

    24.24.24. is a view of a day in concurrent time. All of the day’s twenty-four hours are presented at once. In the minutia of time, banal events unfold and are made extraordinary through the camera’s gaze. People go to work and to school, time is stretched and skewed, the act of taking a walk or watering a lawn develops a magical quality. Light gains character, shadow reshapes objects, and time becomes palpable. Take a look.

  • Chicken Film

    I sat in the shade of a willow tree at the farm. A quiet place washed with iridescent cracks of light through leaves. A place supercharged by our shared past. Microstructures in the light identified with my memories of this place, the people, the events and their connection to the present. Sounds of the wind. The gentle foraging of chickens. Playful guitar practicing by my daughter Lexie sitting beside me. If this place and memory and time have an iridescence, could I find a way to preserve it? Eyes left: the garden. Eyes right: the chickens. Eyes forward: Lexie and…

  • Gibraltar Point (transformed)

    Erratic flashes of light spark across a flickering expanse of Lake Ontario. The image itself can’t be contained as light and debris spill outside the frame. The random alchemy of hand-processing techniques creates a landscape that transcends the observable, edging into the sublime. The ninth work in an ongoing series of poetic landscape films. “Gibraltar Point (transformed)” was created during a residency at Artscape Gibraltar Point on Toronto Island. Shot on black and white 16mm film, hand-processed, then transferred digitally with an ambient sound design by Michelle Irving. Selected screenings: Festival International du Film sur l’Art (Montreal, QC, 2017); Antimatter…

  • Blair’s Last Day

    Blair Maddox has been projecting IMAX films at the Space & Science Centre in Edmonton, Canada for almost 30 years. ‘Blair’s Last Day’ documents his last day on the job before the IMAX theatre switches to a digital projection system, leaving Blair unemployed after projecting over 30,000 films.

  • A Celebration of Darkness

    A woman with a tortured past is triggered to take an unexpected walk down memory lane, she finds herself face-to- face with her inner child. Giving her a chance to make peace with her past. Does she find a way to celebrate darkness or does she become engulfed forever by it? In 2015, Jaene turned 40. This lead her to become introspective about her unusual life history. From a childhood of severe abuse, neglect, psychiatric institutionalization and being in care, she grew to become a street involved sex worker by 20. She met Elder, Isaac Day from Serpent River First…

  • The Films of David Rimmer

    Available for purchase in the CFMDC Shop: https://www.cfmdc.org/shop. This three-volume set brings together some of David Rimmer’s most seminal early works. Born in Vancouver, BC, Rimmer has been a pivotal figure in the city’s art scene since the early ’70s. Known for his experimentation with superimposition, looping and optical printing, Rimmer’s aesthetic reflects a “West Coast sensitivity to landscape, poetry and psychedelia” (Chris Kennedy). Volume One Square Inch Field -1968 / 13 min / 16mm / CLR / Sound Migration – 1969 / 11 min / 16mm / CLR / Sound Landscape -1970 / 8 min /16mm / CLR /…

  • I Want To Kill Myself

    Contemplating suicide: a biography.

  • ôtênaw

    “ôtênaw” is a film documenting the oral storytelling of Dwayne Donald, an educator from Treaty 6, Edmonton Canada. Drawing from nêhiyawak philosophies, he speaks about the multilayered histories of Indigenous peoples’ presence both within and around amiskwacîwâskahikan, or what has come to be known as the city of Edmonton.

  • Take a Walk on the Wildside

    Wigs: shoulder length or long, naturally curled or straight. Shoes: pink glittery six-inch heels or black shiny two-inch heels. Nipples: stick on dime or dollar sized. A vibrant mesh of items line the shelves of one of Toronto’s oldest cross-dressing stores. Opened in 1987, Wildside was one of the only places to offer a full male-to-female transformation through makeup, clothing and hair. Still open today, Take a Walk on the Wildside provides viewers with a glimpse into a day in the life of the store. As five customers pass through, we peek into their colorful lives and reasons for visiting.…