Film Categories: Class-struggle
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The Translation is Approximate
This video focuses a conversation that Naqvi witnessed between her aunt and a domestic worker over financial matters. For many reasons — the ambivalence of the situation, the respective socioeconomic positions of the two women involved in the scene, and the very nature of the recording, which careened between documentary and voyeurism — these images have long haunted Naqvi. In the Translation is Approximate (2021), Naqvi retrieves the original footage that she shot in 2013 and traces back her thoughts about what motivated her to revisit this material. This short video both provides insight into her approach and fundamentally questions…
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Currents / Perpendicolare Avanti
Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…
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A More Radiant Sphere
A More Radiant Sphere tells the long-lost story of Communist poet, activist and Canadian political prisoner Joe Wallace, bringing him to life through archival material, both real and imagined. This hybrid film is shot primarily on 16mm film and weaves together the story of Wallace, the failed Canadian Communist Party, and the filmmaker’s own surprising discovery of her relation to Wallace through a distant relationship with her father (Joe’s great-nephew). Segmented throughout are folk songs based on Wallace’s writings, performed by award-winning folk musician Simone Schmidt, aka Fiver. The film delves into the limits of history and its records, and…
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Determinations
1988 & 2023 4K revision (Revision sponsored by Telefilm Canada Reignite program (for historical valuable Canadian films and to archive such films) which allowed me to transfer my 1988 16mm film to 4k video. A post-punk gonzo doco from the 1980’s restored for the digital realm. The Squamish Five story — a significant historical Canadian recollection, a refreshment of memory in a time of ever increasing environmental suicidal somnambulism & social, political dementia. The Reagan era (1981 – 1989) in the USA marked a time of heightened tensions between the United States and the Soviet Union, with the deployment of…
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Goin ape 2
Three stories intertwine in a climatic double ending, Ape is stuck in the middle.
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Aka Deadlee
Launching his career in 2000, Deadlee is one of the world’s first gay rappers who still struggles to be heard today.
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Rough Blazing Star
A new experimental documentary film project from artist/filmmaker Christopher Wiersema examines anarchism, local history and memory, Emma Goldman’s writing, and a shared love of flowers. Told through a poetic inquiry and response to the text and research – beginning with a visit to the Old Labor Hall in Barre, Vermont – the social center of the Italian anarchist and socialist community in the early 1900’s.
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Over the Island
On the island of Cape Breton, Nova Scotia, the act of leaving has become ingrained into the culture. Since the closure of its main industries, the Glace Bay coal mine and the Sydney steel plant, many young families have been forced to relocate, migrating thousands of miles in the pursuit of work. ‘Over the Island’ is an experimental documentary that follows a mother traveling back home to the island, and a filmmaker attempting to connect the past with the present. This film deconstructs the concept of ‘home’, and investigates how one’s sense of belonging, self identification and familial relationship are…
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This is a Crisis
An anonymous bureaucrat traipses around the City of Toronto, repurposing hostile architecture as their playground. Featuring spliced audio of former mayor John Tory’s victory speeches from 2014, 2018, and 2022 municipal election nights, bleak scenes are juxtaposed with a heavy-handed narrative of progress and inclusion. Documented on January 31, 2023—weeks before Tory would resign—this public performance and accompanying video artwork offer a critique of procedural fetishism, the surveillance and criminalization of poverty, and what cities become when they leave the most marginalized behind.
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Lines Drawn
Shot in two downtown Toronto parks over the course of the pandemic, Lines Drawn looks at various measures of persuasion, containment and control that were brought to bear over the course of the City’s attempts to curtail the spread of COVID-19. Throughout the pandemic, space was defined by how the social bond was re-formed and which barriers were designed for mutual and directional protection. What are the shapes of the pandemic and how did they shape our interactions with each other? Supported by Media City Film Festival’s Chrysalis Fellowship
