Film Categories: Community
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Exilic Trilogy
“Exilic Trilogy” consists of three arthouse docudrama films from Arsalan Baraheni, the exiled Iranian-Canadian filmmaker based in Toronto. The films present a well known musician, a painter and a poet. The films are biographical, poetic and musical, colliding with social, political and philosophical manifestations. The first film is called “Light and Sound”, starring Soleyman Vaseghi, a well known Iranian musician who was forced to leave Iran after the 1979 revolution when music got banned by the regime. The film is about the light within the mind of the artist and the sound which he produces through his music in exile.…
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The Williamsburg Houses
This film gazes into the architecture and lives of the occupants of one of the most ambitious public housing projects ever built in the US. Exploring the remains of a utopian design in contemporary context, we are immersed in the life of a building and a community.
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Cruising Elsewhere
Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary gay beach. “Cruising Elsewhere” won the Jury Award for Best Short Film at the 2017 Tampa Bay International Gay and Lesbian Film Festival. “CRUISING ELSEWHERE is a formally daring – and thoroughly embodied – exploration of gay desire and the utopian possibility of that desire existing unabashedly in public.” – Jules Rosskam
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Lions in Waiting
The newest member of a minor league hockey team, Ray, experiences hazing by his teammates as he struggles to fit in both on and off the ice. Ray will have to find the courage to accept himself first-and maybe even inspire a fellow teammate. Award: Best of BC, Chilliwack Independent Film Festival, 2018; Emerging Student Filmmaker Award, North Bay Film Festival, 2017
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More Love. Less Prepackaged Bullshit.
Set to the soul beat of Assata Shakur, a trio of black transwoman, brown transmasc genderqueer person and a white queer cis man resist dystopia with a sweet bowl full of joy, intimacy and love.
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Link 8
Link 8 is an interstitial docufiction that follows a group of individuals participating in a situational wellness center. Through a new type of algorithm users are matched and transform.
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Looking for Jiro
“Looking for Jiro” explores the hidden dimensions of same sex intimacy for Japanese Americans incarcerated by the US government during World War II. This experimental performance video is inspired by Jiro Onuma, a gay Issei (immigrant) who was imprisoned at Topaz concentration camp in central Utah. He worked in the prison mess hall and was also an avid fan of homoerotic male physique magazines. How did this dandy gay bachelor from San Francisco survive the isolation, humiliation, and homophobia of imprisonment? This queer musical mash-up video features drag king performance, US propaganda footage, muscle building, and homoerotic bread making. This…
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Sex, Politics & Sticky Rice
Protests, potlucks, and three-ways are just the “tip of the rice bowl” for five Asian American lesbians recounting their adventures in sex, love, and queer activism. They were among the first generation of out Asian Pacific Islander queer activists in the San Francisco Bay Area. While Crystal Jang falls hard for her PE teacher, Gisele Pohan’s immigrant father dares her to join the 1979 Gay & Lesbian March on Washington. Helen Zia and Lia Shigemura keep a “chart” of the various hook ups and break ups. Zee Wong discovers the joys of lesbian sex in her first girl-on-girl menage a…
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Warning Shot
One death. Three versions of the crime. James H. Wakasa, a 63-year-old Japanese American bachelor, was shot to death by military police at Topaz concentration camp during World War II. Was it justifiable homicide, an accidental fatality, or second-degree murder? The press said he was trying to escape, the shooter claimed it was a warning shot, the case file suggests he was killed while walking a dog. This experimental film essay uses the “Rashomon effect” to juxtapose the conflicting accounts detailing the circumstances and cause of Wakasa’s untimely death. Part of the Queer Camp Trilogy.
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Semiotics of Sab
This experimental film essay explores the poetics of identity through an oblique portrait of gay Japanese American actor Sab Shimono. For more than five decades, Shimono has performed on stage and screen in over 150 roles as warlords, bus boys, and businessmen. Shimono asks, “How is it that we know who we are?” Recalling early structuralist works by Hollis Frampton and Martha Rosler, Semiotics of Sab displays the grammatology of queer Asian American masculinity through conflicting lexicons of race, representation, and selfhood.
