Film Categories: Culture

  • Sowesto

    A collection of footage from my friends or by my friends and me. It is amazing the number of events recorded by various means around London. “Sowesto” contains the opening of Region Gallery, The First Canadian Happening, Barbara Ann Scott in St. Marys, Nihilist events, etc. (GC)

  • A+

    Cinema finds its accounts in an uncommon ledger, whose lines and tabulations conceal the greatest love of all.

  • Death Of A Bathhouse

    Combining footage from the final days of St. Marc’s Spa with interviews from Toronto artists Sky Gilbert, Keith Cole, Brad Fraser, Drasko Bogdanovic and Shane MacKinnon, The Reading Salon looks at one of Toronto’s longest running bathhouses through the lens of the artist.

  • Trans Lives Matter! Justice for Islan Nettles

    A powerful and intensely moving document of a community vigil for Islan Nettles, a transgender Womyn of Colour, concerning her spirit and life. Because the personal is political. Because the brutal and increasing attacks on Trans Womyn of Color are outrageous and their victimization causes outrage. Because healing and action tighten our fists and boom our voices. Islan’s murder was a hate crime, she was only 21. Her vigil was held at Jackie Robinson Park in Harlem, steps away from where she was murdered. This endeavour captured the love and support that the community brought to sustain each other and…

  • Cairo In One Breath

    Every day, people are being replaced by machines. The adhan is a 1,400 year-old oral tradition in the process of unprecedented change in Cairo. After 60 generations, thousands of individual muezzins are being replaced by a single voice broadcast from a radio station as part of a plan of the Mubarak regime. As the Adhan Unification Project takes hold, Egypt undergoes Revolution and regime change. The film follows muezzins from when they heard rumors of the AUP through its implementation, which since 2010 has displaced thousands.

  • Cum Pane

    It’s physically demanding and sweaty. Grandma’s hands are gnarled from years of pain and hard work. Hands knead the dough. She works with rolling-pins, brushes and older baking utensils. She deftly places the bread on a peel and sets it in the stone oven. Grandpa takes care of the wood-burning , watches over it, blows life into it, again and again. He moves the bread around on the hot hearth. They work noiselessly. Close to each other. Crackling and pounding, scratching and clouds of flour. It is hot. The fire blazes. The smell of wood. The aroma of freshly baked…

  • (I Know Your) Face

    Exploration of memory and diversity across gender, ethnic, sexuality and socio-economic boundaries as the hero Rose reflects on the many faces she has encountered, seducing, influencing, informing and challenging her perspective, now faded and blended over time, distance, and recreational drug usage.

  • Gabey and Mike: A Jewish Summer Camp Love Story

    Gabey and Mike: A Jewish Summer Camp Love Story takes its name from a song by Mermaid Café – a folk band comprised of Andi D., Joe A. Rider and Merrill Nisker (now known as ‘Peaches’) that gained popularity at Canadian Jewish summer camps in the early 90s. The video juxtaposes the tale of the band with playful re-creations of the story of Gabey and Mike, in a queer re-staging of the classic summer camp movie. Gabey and Mike uses the tropes of this genre alongside references from iconic queer films in order to grasp the significance of this band…

  • Soup For My Brother

    “In this strikingly poetic documentary about memory, loss and brotherly love, we find Jimmy, guided by the memory and words of his grandfather, preparing a soup for his beloved brother Danny, who passed away one year ago.” — imagineNATIVE Film + Media Arts Festival (2016) Image description: Two hands holding old photos as someone looks at them. On top is a black-and-white headshot of an Indigenous boy, smiling and looking sharp in a checked shirt. Below is a colour photo of three older Indigenous women posing in a yard or field.

  • Mezzo

    When Breanna was 12 years old, she discovered opera and began exploring and acknowledging her gender identity. At age 25, she is the first transgender woman to complete a Masters in Opera at a major conservatory. The film traces the days leading up to her graduation recital while harkening back to the defining moments of her girlhood.