Film Categories: Earth

  • Full Stop Hilltop

    A man’s elliptical story of the places he’s seen, the people he’s been and the water he’s drank.

  • 10th Avatar

    Television’s influence is so great that it has left us completely mesmerized and has become our new form of worship. Our faith in the divine power has been challenged several times, through the ages. According to Hindu mythology an avatar appeared who relieved man’s distress and re-established the belief in God and the avatar. Nine incarnations of God or avatars have appeared thus far and the 10th avatar appeared with the fusion of mass media and formal worship. This is the story about the challenge divine worship faced as cable TV encroached our “idle” time.

  • Foodie

    Born into a murky world, jettisoned into flourescence, Foodie is all emotion, all merchandise, all pressure and all pleasure. Foodie waddles through emotional worlds that are hungry and stuffed, cozy-mean, cocooned and exposed. Foodie is the perfect consumer who is simultaneously socially conscious and suspect. Watch Foodie, struggling to stay within boundaries of good and proper, worrying all the time, trying to live forever with too much and not enough.

  • In Every Dream Home a Heartache

    Kids on TV and Johannes Zits have together created a music video art piece based on Johannes’ visual work and the song “In Every Dream Home a Heartache” performed by Kids on TV. The video takes the song’s plotline of a rich man falling in love with a rubber doll and uses it to critique queer consumerism and the advertising industry’s targeting of the gay-demographic — turning peoples desires into a fetishization of newly built condos and lavish funishings. The rubber doll is portrayed by KOTV member John Caffery is covered with green-screen paint and super-imposed with gay male pornography…

  • Deadication

    “Images of dead fish are used to illustrate the needless destruction and waste inherent in our technological society.” – Martin Rumsby, Hidden Cinema Tour, 1989 “A product of the Saskatchewan Film Pool, ‘Deadication’ approaches the natural world (fish, specifically) with a fully developed aesthetic sense.” – Images Festival of Independent Film & Video, 1988

  • Shift

    A low-tech sci-fi story set in a disenfranchised, near-future post-Crash urban sprawl, a violent place with no one in authority. We meet the Switchcocks, an all-girl revenge gang who make their living by taking on vengeance contracts for other Glop residents, and running drugs. One night, Lexi, gang member by night, courier by day, hooks the gang up with the dangerously potent drug called ‘shift.’ They sample it and then they run amok, taking ‘vengeance’ on an Enclave drone – without a contract: for fun. Lexi awakens the following day and must deal with the aftermath and her own role…

  • Parícutin

    In February of 1943, a fissure appeared in the cornfield of Dionisio Pulido, a farmer in the Mexican state of Michoacán. Ash and incandescent rocks emerging from this fissure preceded lava flows, violent explosions, and the birth of Mexico’s youngest volcano. Despite the prayers of the locals, the lava flows displaced the populations of two nearby villages and part of that of another. The final explosion of the Parícutin volcano was in January of 1952, nine years after its birth. By March of that year, it merely fumed, standing 424.6 metres tall-the first volcano ever to have been observed through…

  • But Some Are Brave

    “But Some Are Brave” is an innovative, multi-layered animated film project. This short poetic chronicle uses an oil paint-on-glass animation technique. It introduces iconic characters and historic events in a flurry of emotional and psychological rhythms. Using the metaphor and symbolic structural device of weaving, “But Some Are Brave” takes us through this visual poem like a spindle flying through layers of thread – telling us something of the cultural and political histories of communities under attack. Awards: Audience Award for Best Film, TAIS Animation Showcase, Toronto, 2009; Prix du publique for Best Animated Film, Cineffable Festival, Paris, 2009

  • Simultaneous Contrast

    The striped pattern of the municipal bus shelters in San Francisco becomes a fixed foreground behind which the city passes. Spatial oscillations provide a constantly permutating play of figure, ground and space, imaging the possibility of being two places at once.

  • Fore-and-Aft

    “Fore-and-Aft” was created by the Bay of Fundy in Nova Scotia, Canada – site of the highest tides in the world. Images of the tides are married with celluloid that was buried in the sea bed, and dragged through the ocean behind a boat. Physically exposing film to the motion and light of the sea recorded tactile evidence of the repetition and changes wrought by tide cycles.