Film Categories: Ecology

  • Watershed

    A watershed moment invites an exploration of perception and passage. Using the multiple meanings of a watershed basin, moment and the literal ‘watershed’, the film is deceivingly simple but unfolds layers of meaning concerning images, representation and ontology.

  • Epilogue

    Epilogue: a section or speech at the end of a book or play that serves as a comment on or a conclusion to what has happened. A trip to bury my grandmother’s ashes results in an unearthing of things long obscured by time. Imbued with unanswered questions from the Lion series, Epilogue continues the biographical inquiry of The Weight of Snow and chronicles the aftermath of a dying matriarch and a family navigating cohesion.

  • Everything Everywhere Again Alive

    “Everything Everywhere Again Alive” is a nature film with a difference. It is about a concept of nature which is communicated by a series of very simple images. These very simple images are used like building blocks of ideas to build a complex representation of nature as well as diaristic events taking place in the film. “Everything…” is an elaboration of two films by painters Jack Chambers (Circle) and Joyce Wieland (Solidarity) and in another sense, Michael Snow (La Region Centrale). “Everything…” is about space and the meaning of the infinite as it is used in Chinese painting. The shape…

  • By The Time We Got To Expo

    A meditative journey through Expo 67, re-visiting a significant moment in Canadian history using manipulated imagery taken from educational and documentary films. Footage has been re-worked using tints, toners and photochemical techniques to create a vibrant collision of colours, textures and forms.

  • Lunar Almanac

    “Lunar Almanac initiates a journey through magnetic spheres with its staccato layering of single-frame, long exposures of a multiplied moon. Shot in 16mm Ektachrome and hand processed, the film’s artisanal touches are imbued with nocturnal mystery”. —Andréa Picard, TIFF Wavelengths, 2014 Image description: A series of images of the full moon in a grid of four filmstrips taken from the film Lunar Almanac. The moon is white or pale yellow against a black background, in some instances obscured by tree branches or clouds. One section is coloured deep orange-red.

  • Tiny Mirrors

    An ancient goddess probes the concrete jungle that stands between her and a rising metropolis. Her primal movements shudder like haunting melodies as she seeks to discover truth.  Two teenagers descend into the city’s entrails to grow graffiti gardens and find a space to dream.  A young woman searches for wisdom with the uneasy feeling that something inside of her is shifting.  All their stories intertwine as they build bridges to the other side. Tiny Mirrors, is a music video collaboration between lal and Wandering Eye that seeks to re-imagine our perceptions of ritual, rebellion and change in a time of…

  • Animal Tracks

    An exploration of North American culture’s estranged and precarious relationship with animals. To examine these relationships, the camera travels through man-made environments that have been constructed for the containment and/or display of animals.

  • Le Phare

    Unlike the Eiffel Tower or the Empire State Building, Montreal’s iconic urban landmark is horizontal and spectral, not vertical and solid. Le Phare is a filmic portrait of the Montreal’s nocturnal marker, a spinning beacon that has been raking four long beams of light across the city’s environs since 1972. The nightly presence of these intense, rotating rays is reassuring for many, and yet also oddly perplexing: the illuminating machine does not provide reconnoitering for aviation; it is not synched to act as a time-keeping device; nor does it commemorate a specific historic moment or personage. Indeed, the lights serve…

  • Trailer

    The same duration as a standard promotional film trailer (two and a half minutes), Trailer documents the mechanical and support systems that are present at most large film productions.

  • Théodolitique

    Théodolitique is a moving image project that merges the geodetic and the filmic, linking the very long history of land surveying with the comparatively new technologies of film-making. Connecting these two methods of visual observation and recording, Théodolitique documents student surveyors from the École des Métiers du Sud-Ouest-de-Montréal as they take an outdoor exam over the course of a single day. The project utilizes a wide range of filmic and acoustic techniques — including a parabolic microphone to capture distant audio, and a custom built ‘theodocam’ to provide a surveyor’s eye view — to reflect and mimic how the students…