Film Categories: Ecology
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Cod Story
This is a case study of the Canadian cod fisheries collapse of 1992. It investigates what the future of natural resource management holds, and what we can learn from our past mistakes.
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The Sound of dust from Asteroids and Comets, that have been torn apart by the Sun’s gravity
The Sound of dust from Asteroids and Comets, that have been torn apart by the Sun’s gravity Animated(2023 04:53), super 8 film, painted by hand with ink direct on the celluloid. on a super 8 film material that “failed” when I developed it by hand. The sound collage consists of parts of a material from Nasa, where they have tried to illustrate how different sounds could sound in space if there were sound waves there.
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Peace
Peace, takes its starting point from a super 8 found footage film material, and is a collaboration between me and Lisa Marr. I asked Lisa to read the word peace in 18 different languages; English, Spanish, French, German, Italian, Dutch, Swedish, Russian, Polish, Hungarian, Greek, Turkish, Arabic, Hebrew, Persian, Hindi, Urdu. Sound/Voice: Lisa Marr
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Building Heaven, Remembering Earth: Confessions of a Fallen Architect
“Filmmaker Oliver Hockenhull’s shockingly beautiful digital video essay on the philosophy of architecture.” Mari Sasano Building Heaven, Remembering Earth offers a cross-cultural, pan-historical reflection on how the spiritual and intellectual aspirations of self and society are expressed in, and confined by, the language of architecture. “Beginning with a glimpse of Brueghel’s Tower of Babel, this wild and opinionated essay peruses some of the world’s most resonant architectural sites, among them the Pantheon of Rome, Palladio’s Rotunda, Renzo Piano’s New Metropolis, Barcelona for Gaudi, then Mies van der Rohe, the Hagia Sophia in Istanbul, and Lingaraj Temple in Bhubaneswar, India. Director…
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Hypnagogia
In the threshold between sleep and wake, hallucinations and moments of paralysis take hold. Hypnagogia is an exercise in eco-processing, with different 16 mm B&W film stocks processed with multiple different organic material, including apples, avocado peel, coffee, grapes, peaches, pomegranate and wine.
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Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth
Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth is an experimental documentary project consisting of a short film, a publication, and a collaborative installation that explores the immense and ancient family home at the centre of Jamiltepec, Oaxaca, Mexico. The cavernous adobe house is in the process of being restored after a devastating earthquake that saw a portion of its roof collapse in February 2018. The short film follows the restoration process, with its focus on traditional building materials and techniques, creative reuse, and local artisanal production. In doing so, it explores the origins of…
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Saint-Rémi
Abandoned in the debris of a mine, a dancer is revived by the celestial energy pulsating within him. Filmed in Quebec’s former asbestos mine of Saint-Rémi-de-Tingwick, this short film features the artist’s ‘Tetrahedron’ iron sculpture in which he dances. Serving as both a prison and a pedestal, this sculpture symbolises humanity’s detrimental creations that both elevate and destroy. This duality is also echoed in the magnificent yet barren lunar landscape of the mine, which has remained sterile since its closure in 1968. Despite the desolation, ‘Saint-Rémi’ is an ode to revegetation, a hope that flora, like the dancer, will resurface…
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longer than that, she said
A meditation on anticipatory loss, this film examines the artists relationship with grief and attempts to ground herself. This film was hand processed in cilantro, mint and tansy at the Film Farm Residency hosted by Phillip Hoffman. Dyed in turmeric and walnut and utilizing freezing film decay techniques.
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Water Fields
Water Fields is a rhythmic audiovisual composition, taking place in California’s dry landscape.
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Tracks I-III
Inspired by phantom rides—films from the late 19th century shot from the front of moving trains—“Tracks I-III” follows old and new technological traces that have shaped movement and representation. Historical landscapes once captured along railway lines are now reimagined through a carefully fragmented scenery, where motion splits, diverges, and advances in all possible directions. Truttmann’s playful exploration of spatial and temporal dislocations is grounded in a specific location and its history: a section of the “Ischlerbahn,” one of Austria’s first major long-distance rail lines, which was closed in 1957 despite strong protests from all segments of the population. Originally a…
