Film Categories: Education

  • PANDALAND: Making IT Count

    “PANDALAND: Making IT Count” is about how children become engaged and learn to grapple with big social issues. The filmmaker accomplishes this by encouraging playful exploration in a multi-media installation of 70+ toy pandas she created in her neighbourhood. The vibe of the film is lighthearted and optimistic. As the children initiate an election on behalf of the pandas, their experience embodies community building, demonstrates acts of civic engagement and conveys the important message that, by working together, even young children can effect change. The film is a life-affirming tribute to kids’ compassion and the birth of their activism! This…

  • Camera Trap

    CAMERA TRAP is a comparative installation using moving images a hundred years apart. The first half of the work looks at Muybridge as both animal and landscape photographer, compared with the second half which works with current animal camera/video traps from the rainforests of Sabah (Malaysian Borneo). A visual and aural comparison of domesticated versus wild animals. Staged shooting versus remote capture. Caged sounds from the zoo versus field recordings from the rainforests. How does the way we use camera equipment on documenting animals then and now, tell us about what we are looking for through the lens? In collaboration…

  • Matin Dans Une Foret de Pins (Morning in the Pine Forest)

    The lives of six young people unfold in a journey through different worlds revealed and interwoven, where the boundaries between documentary and fiction, reality and dream cease to exist. The volatile and seductive landscape of urban and rural Latvia was treated as a rich context for the complex relationships one has with the world – inviting the viewer to come upon the questions that bind us in our common need to understand our humanness. This film is based on the lives of HELENA, EVA, JANKA, GUNTIS, ANNA and GALC.

  • Gags N’ Gals: Male Order

    A short experimental film inspired by the paintings of biblical women from German Renaissance painter, Lucas Cranach. The film reimagines Cranach’s paintings through a modern, critical lens, exploring female sensuality and their ability to use it as their own personal weapons.

  • Goin ape 2

    Three stories intertwine in a climatic double ending, Ape is stuck in the middle.

  • From Neurons to Nirvana: The Great Medicines

    Featuring interviews with the world’s foremost researchers, writers, and pioneers in psychedelic psychotherapy — these soul healers and scientific investigators are using everything from ancient decoctions to LSD and MDMA/Ecstasy as essential medicines, proposing that they be made available for research and therapeutic use.

  • Like A Canon

    Li’l bunny moves past her fear of losing her home and into action and recruitment. A commissioned work for the ECHO PARK FILM CENTER in celebration of their 14th year of operation. Created and presented in part with hand-processed Black & White super 8 film.

  • Cod Story

    This is a case study of the Canadian cod fisheries collapse of 1992. It investigates what the future of natural resource management holds, and what we can learn from our past mistakes.

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • One Thing I Can Afford

    Louie Sanchez is the performance moniker of Filipinx artist Eirene Cloma. Cloma has recently completed a small collection of songs that broadly reflects on their working-class Filipinx upbringing in North Vancouver and the entanglements of diaspora, interracial relations, and queer desire that texture their everyday experiences. The video for their song One Thing I Can Afford broadly addresses queer and trans friendship in the diaspora, Filipinx masculinities, and everyday enactments of transgenerational care.