Film Categories: environment

  • V

    Iceland, 2016. Mythical landscapes and moment capture. Nature as mirror of, or backdrop for the self.

  • 165708

    Shot entirely in 16mm black-and-white film using single-frame photography, “165708” employs in-camera techniques and chemical manipulation of processed film to produce an eidetic study of temporal elasticity. Techniques include flicker, time-lapse, light painting, stop motion, tinting, and toning. Combined with cycles of alternating exposed frames, these methods imbue the work with a rhythmic magnetism, apparent both in the tempo and the aesthetic of the images. Exploring the capacity of the medium to express various notions of time, the film begins with a woman looking out from the shoreline. This acts as a point of departure to disparate yet interconnected sequences…

  • Sky Room

    Someone is missing. Plants grow, but at what cost? Technology threatens and seduces as humans attempt to solve a mystery through telepathy and mirrors. Stainless steel and broken glass strewn about an intergalactic discotheque.  Commissioned by the Chicago Film Archives and made in collaboration with sound artist Brian Kirkbride, with footage and sound from the archive chopped, manipulated and arpeggiated into a fertile mix of anthem and narrative.

  • Cruising Elsewhere

    Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary gay beach. “Cruising Elsewhere” won the Jury Award for Best Short Film at the 2017 Tampa Bay International Gay and Lesbian Film Festival. “CRUISING ELSEWHERE is a formally daring – and thoroughly embodied – exploration of gay desire and the utopian possibility of that desire existing unabashedly in public.” – Jules Rosskam

  • Kaleidoscope

    Kaleidoscope explores depression in an otherwise vibrant life. It is an original film poem edited to 16mm hand-processed B&W film that has been manipulated through tinting, toning and other cameraless techniques to reflect the fluctuations of living with a mood disorder. Footage collected during the Film for Artists and Film Farm residencies in 2016.

  • RUPTURE

    By and large humans tend to create narratives about themselves, then often make great effort to conform reality to that narrative. This was not a threat to planetary survival 10,000 years ago when we were scattered in small bands worshipping local deities and relying on nearby gathered foodstuffs with only stone tools. It is quite an other thing when we are packed into mega-cities with nuclear weapons and ambiguous connectivities, along with relationships imbued in instruments that far exceed an individual’s capacity to fully comprehend or to realibly navigate our various systems. Sequence in order of appearance: Secret Bunker –…

  • Four Winds

    Four Winds Wellness Association presents a fictional documentary on Dr. Miles Bennell and Dr. Patricia Lunbed, the founders of Link 8. The video tells the story of how Miles and Patricia meet and form a new technology that influences science and culture called Personality Sharing.

  • Ocean I

    Ocean I is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are maneuvred in a single long take to create an impression of a space, while also frequently abstracting it.

  • Catalyst

    Being natural born pattern seekers, we are forever looking for this or that clue to help explain what otherwise might appear unfathomable. Fundamentally Catalyst represents a type of diary without dates, of memories reconstructed to formulate my story. A story that takes place in time and space, shaped by the earth and sky Merging super 8 mm footage that I filmed many years ago with some of my more recent DSLR/HDV tape footage, Catalyst investigates how each medium shaped my story as well as the gaps in time when each sequence was filmed. Filmed on location by Kent Tate: Toronto,…

  • Soy un ser cuyas raíces // I am a being whose roots

    Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish & German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration,…