Film Categories: environment
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Ofenheizung: Portrait of a Stove
In Berlin in the year 2020, there are still homes that rely on coal stoves for heating, despite their ban in 2015 by the Federal Emission Control Ordinance. This short film is a portrait of one of those stoves, the maintenance it requires of the inhabitant of the home it’s in, and what it means for its Kiez, Kreuzberg.
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ARIES
A single window frame; a portal. As the circular nature of time begins to reveal itself, a new decade begins.
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Congress
Mediated under flight and wing, possible collective memories are represented through a prism of vast tundra landscapes, a wrecked 19th century paddleboat, and ancient lichen fields. Time, place and history become nostalgic remnants from the Yukon Territory.
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Like A Canon
Li’l bunny moves past her fear of losing her home and into action and recruitment. A commissioned work for the ECHO PARK FILM CENTER in celebration of their 14th year of operation. Created and presented in part with hand-processed Black & White super 8 film.
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Georgic for a Forgotten Planet
I began reading Virgil’s Georgics, a 1st Century epic agricultural poem, and knew immediately that I needed to create a visual equivalent about my own relationship to the place where I live, New York City. The film is culled from material I collected at Coney Island, the Lower East Side, Socrates Sculpture Garden in Queens, a Brooklyn community garden and a place on Staten Island that is so dark you can see the three moons of Jupiter. It is a homage to a place many people affectionately and mysteriously call the big apple. Screenings: Palais de Glace, Museo National de…
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Garden of Earthly Delights, The
This film (related to “Mothlight”) is a collage composed entirely of montane zone vegetation. As the title suggests it is an homage to (but also argument with) Hieronymus Bosch. It pays tribute as well, and more naturally, to “The Tangled Garden” of J.E.H. MacDonald and the flower paintings of Emil Nolde.
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sway
A sequel to the pandemic-themed reflection “still”, “sway” explores the seductive – and destructive – pull of fear.
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Qualcosa di Rosso, Qualcosa di Blu
Qualcosa di Rosso, Qualcosa di Blu combines layers of 16mm and 35mm found footage films to create a lyrical journey that accompanies the viewer into the depths of a dream of another life.
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Green and Red, But Terracotta Red
We are looking through the mirror of time, into distorted memories, while several narrators tell us about the most vivid colours in their dreams. The film consists of a collage of 16mm found footage that I further processed and decayed using a gentle combination of bleaching techniques. This process allowed me to partially lift the emulsion from the film base and re-shift it and re-position it by hand. Faces are warped, homes collapse, memories fade and blur.
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Toad, Leaf, Grass, Rock
A 16mm hybrid visual poem, at the crossroad between intertextuality and documentary. This film “plays” with images in an enigmatic way. Weaving, in the words of Eugenio Montale, a disappearing and deserted suburban landscape into the fabric of images, sounds, and textures of two far away lovers yearning for each other.
