Film Categories: Essay

  • Lift Little Tokyo

    Maps and memories of Little Tokyo’s historical district of Los Angeles are uplifted via scotch tape transfers.

  • Holding Hands with Ilse

    “Holding Hands With Ilse” is a moving documentary about the search for the German teenage girl who took care of the filmmaker between 1948-1950 in Walbrzych, Poland where he was born. Knowing only her first name and circulating a small photograph taken in 1950 of the two, the director explores the urban landscapes of western Poland and the journey involved in their unexpected reunion that recently took place in Ibbenbüren, Germany. Filmed in the USA, Poland and Germany.

  • The Fenestration of Suburbia

    The Fenestration of Suburbia is a melancholic social documentation of a cold Canadian suburb. Framed behind windows and surveilled from the street, the lives of suburbanites float in the black cinematic frame to form images that are simultaneously sorrowful, mundane, theatrical, and puzzling.

  • Drag Race

    A public three-event race in high heels and improvised monologue about all things political from pro-choice philosophies, the glass ceiling, the history of high heels, vandalism and gentrification, buying locally and seasonally, going vegan, sexual health and gender diversity. Participation was highly encouraged and pre-race makeovers were often held at my apartment. This is a document of the 10th annual drag race.

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • A Sublime Failure

    Writer and essayist David Schmader reflects on his twenty year obsession with the notorious Hollywood flop SHOWGIRLS.

  • A Day With My Family

    Some video segments of a day with my family at the farm. At editing, I had fun doing something more meaningful. The message of this film is: family, love, friendship are important things in life.

  • vulture

    “vulture” sets its sight on farm animals and their surrounding flora. Static shots and slow-moving zooms, follow the grazing animals in their minute inter-species exchanges. When left to roam together the sensibilities of these “beasts” are allowed to surface. The film was shot and processed with various means including flower/plant processing carried out as blooming occurred, from 2016-18. In some cases a salt bath was used for fixing the film which was left soaking in the dark for three days. “Vultures hover over the barn, from high, with razor sharp eyesight, and a keen sense of smell. Together, they stalk…

  • Le Dormeur Du Val

    Art essay video, free interpretation of Arthur Rimbaud’s poem “Le Dormeur Du Val”, aimed at pointing the absurdity of war: through history and continents, no matter their race or religion, soldiers, instruments of the authorities, represent one and only person: another victim.