Film Categories: Feminism
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Arrival 1, Arrival 2
This experimental essay film springs from the final days of December 2020 when I moved from Chicago to Toronto. The film documents my move and then continues on alternate paths, weaving through the liminal spaces of borders, sickness, interpellation, and dreams. Content Note: This film contains extended discussions about fatphobia and disordered eating. Specifically, this film contains descriptions of food restriction, idealization of thinness, and intense emotional and physical pain after eating. After 11:41 there is no direct discussion of disordered eating. Flashing lights throughout. Loud noises throughout.
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Don’t Forget The Water
A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge.
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Blossom
Blossom is an abstract animated diary by Jesi Jordan, drawn over the course of 4 years. Drawn and presented in chronological order and created with over 11,000 pencil drawings on paper.
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Let Love Be Love In Me
Inhaling love and submersing into peace, created in collaboration with Mother Earth.
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Bug Bite
A bug bite leaves us frozen in a surrender, looking back at nature, and transmitting our human emotion back into the belly of the earth.
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Water Break
Exploring fertility in simbiosis with Mother Earth.
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Personal Growth
A short venture into personal growth, the process of surrendering and the ability to release.
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Quack Quack
Quack Quack is a moving image collage that utilizes magazine cut-outs from porn magazines and found footage. Multiple analogue techniques such as contact printing, optical printing, mordançage, mono-flex, chromo-flex, and hand processing help convey the over-stimulation of media; reverting an intangible concept into a tactile form. These images meshed together allude to the negative effects of media fetishization that feed into incel culture and violence against women.
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Traces / آثار
In the midst of the rubble of a torn building, a reel of film. An unlikely unraveling of queer bodies taking shape and form, while the war-torn city around and its spectacle of toxic masculinity glitches and disintegrates.
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Film About a Father Who
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. FILM ABOUT A FATHER WHO is her attempt to understand the web that connects a child to her parent and a sister to her siblings. With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately…
