Film Categories: film studies

  • SHE IS THE OTHER GAZE

    Every encounter with an image, every interaction searches for its own form. SHE IS THE OTHER GAZE describes the encounter with female visual artists mostly of an older generation who were part of the Viennese art scene in the 1970s and were engaged in the women’s movement. In dialogue with the filmmaker and her camera they share early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers the protagonists are a great influence on the contemporary art scene and…

  • Three Casualties

    “Three Casualties” is an investigation of three movie scenes, showing stunts that lead to the deaths of the stunt doubles performing them. In some cases these scenes remained in the films whereby the audience witnessed an actual death on screen while simultaneously watching a fictional one.

  • Wayward Emulsions

    Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019

  • Sworded Love

    Fleeting cinematic impressions of star-crossed swordsmen are captured in the oblique wanderings of emulsion lifted from a stray reel of a 35mm kung fu action film.

  • Between Two Cinemas Part 1

    For the past thirty years filmmaker/archivist Ross Lipman has cut a winding path between classic international cinema and the American avant-garde. In this riveting but completely unclassifiable work, he looks back at a life in the cinema and an indescribable divide at the heart of it. Part biography, part clip essay, part abstract painting, “Between Two Cinemas” integrates 4K restorations of his old films inside a new documentary/essay linking them. It uncovers previously unseen archival material on Stan Brakhage and Andrei Tarkovsky, and adds new collaborations with artists including visionary experimentalist Bruce Baillie, Jeanne Dielman cinematographer Babette Mangolte, Bela Tarr…

  • Between Two Cinemas Part 2

    For the past thirty years filmmaker/archivist Ross Lipman has cut a winding path between classic international cinema and the American avant-garde. In this riveting but completely unclassifiable work, he looks back at a life in the cinema and an indescribable divide at the heart of it. Part biography, part clip essay, part abstract painting, “Between Two Cinemas” integrates 4K restorations of his old films inside a new documentary/essay linking them. It uncovers previously unseen archival material on Stan Brakhage and Andrei Tarkovsky, and adds new collaborations with artists including visionary experimentalist Bruce Baillie, Jeanne Dielman cinematographer Babette Mangolte, Bela Tarr…

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • A Day With My Family

    Some video segments of a day with my family at the farm. At editing, I had fun doing something more meaningful. The message of this film is: family, love, friendship are important things in life.

  • vulture

    “vulture” sets its sight on farm animals and their surrounding flora. Static shots and slow-moving zooms, follow the grazing animals in their minute inter-species exchanges. When left to roam together the sensibilities of these “beasts” are allowed to surface. The film was shot and processed with various means including flower/plant processing carried out as blooming occurred, from 2016-18. In some cases a salt bath was used for fixing the film which was left soaking in the dark for three days. “Vultures hover over the barn, from high, with razor sharp eyesight, and a keen sense of smell. Together, they stalk…

  • Dear Grandpa

    Using my grandfather’s old eight-millimetre film camera, I explore the deteriorating relationship I had with my grandfather during his final days after being diagnosed with cancer.