Film Categories: found footage

  • ALTERATIONS

    J’s manic depressive mother, Mary Jane, had a heart attack when J told her that she wanted to live as a woman. Now J is making a movie to sort things out. When Mary Jane awoke from her coma, she woke up believing that she is someone else. J’s brother insists that J patches things up with their amnesiac mother and when the two meet again for the first time as women, an innocent, weekend adventure to face each other’s fears manages to keep their monsters at bay. Protected by their new identities, the two women find a best friend…

  • Loathing

    The film depicts a society controlled by an autonomous system. While plebs are unhappy with their Designer overlords, a smart assistant takes part in a Luddite conspiracy against them. The conspiracy fails. The assistant recounts the events of the revolution in a court of law

  • Looking for Jiro

    “Looking for Jiro” explores the hidden dimensions of same sex intimacy for Japanese Americans incarcerated by the US government during World War II. This experimental performance video is inspired by Jiro Onuma, a gay Issei (immigrant) who was imprisoned at Topaz concentration camp in central Utah. He worked in the prison mess hall and was also an avid fan of homoerotic male physique magazines. How did this dandy gay bachelor from San Francisco survive the isolation, humiliation, and homophobia of imprisonment? This queer musical mash-up video features drag king performance, US propaganda footage, muscle building, and homoerotic bread making. This…

  • Warning Shot

    One death. Three versions of the crime. James H. Wakasa, a 63-year-old Japanese American bachelor, was shot to death by military police at Topaz concentration camp during World War II. Was it justifiable homicide, an accidental fatality, or second-degree murder? The press said he was trying to escape, the shooter claimed it was a warning shot, the case file suggests he was killed while walking a dog. This experimental film essay uses the “Rashomon effect” to juxtapose the conflicting accounts detailing the circumstances and cause of Wakasa’s untimely death. Part of the Queer Camp Trilogy.

  • Semiotics of Sab

    This experimental film essay explores the poetics of identity through an oblique portrait of gay Japanese American actor Sab Shimono. For more than five decades, Shimono has performed on stage and screen in over 150 roles as warlords, bus boys, and businessmen. Shimono asks, “How is it that we know who we are?” Recalling early structuralist works by Hollis Frampton and Martha Rosler, Semiotics of Sab displays the grammatology of queer Asian American masculinity through conflicting lexicons of race, representation, and selfhood.

  • Traje de Luces | Suit of Lights

    Traje de Luces | Suit of Lights is an expressive documentary composed with footage of a Spanish bullfight, that iconic imagery of highly decorated masculinity and violence masked as nationalism. The footage was drawn from Jacques Madvo Collection material filmed in Spain between 1976-1978. Madvo shot this footage at a time when Spain began its difficult and flawed transition to democracy in the years following dictator Francisco Franco’s death in 1975. The film consists of 16mm footage that has been decayed in soil, contact-printed and laboriously re-photographed and these abstractions of light and darkness ground the inquiry surrounding why citizens…

  • Soy un ser cuyas raíces // I am a being whose roots

    Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish & German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration,…

  • New Woman 新女性

    New Woman is a meditative journey that investigates the look of the “New Woman” in Chinese silent screen. Through using archival film footage with intertitles also derived from the Chinese silent films, the film explores patriarchal perspectives in the portrayal of women in Chinese silent cinema, and deconstructs their appearances in order to reveal the impressive talent and outlook of the “New Woman”, which have been largely ignored and forgotten. The film features four thematic sections, Virtue, Modeng Woman, Unbound Feet, and New Woman. The footage of each section has been re-worked differently by using relevant hand processing and manipulation…

  • Exhumation

    Peeling back the shrouded image, “Exhumation” is a reanimation of long-lost desire. A response to news of a celebrity paternity suit and the mythology adhered to it, “Exhumation” obsesses over buried memories to create one’s own monster from memory. Re-composed of images chemically treated to disintegrate, the figures peel their identities away to remain as ghosts of what once was. At once a diary of a death mask and of speculative hope, “Exhumation” dives through years of hurt feelings to find that although the body was here, you vanished.

  • Reinaldo’s Motifs

    In 1927, Reinaldo Ferreira, a well-known journalist and writer who published under the pen name ‘Repórter X’, founded the cinema production company Repórter X Film, through which he directed four films that same year. Among them we find “O Táxi no. 9297” and “Rita ou Rito?…”, where homosexuality, transvestism and drug use feature explicitly in Portuguese cinema for the first time. “Reinaldo’s Motifs” is an audiovisual essay that focuses on a series of recurrent motifs in Reinaldo Ferreira’s cinematic work. A commissioned work by the Cinemateca Portuguesa, in which I tried to play around with these recurrences, in a manner…