Film Categories: found footage

  • fugitive l(i)ght

    This film explores the morph-like quality of the Serpentine Dance and its intricate play on the visible and the invisible, which extends to the larger context and legacy its originator, the American born Loïe Fuller. “fugitive l(i)ght” is composed of elaborately reworked found footage, originally captured by Thomas Edison and the Lumiere brothers, of various renditions and imitations of Fuller’s Serpentine performances, where glimmers of her presence slip into the film by means of the artist’s absence; both Fuller’s and my momentary suspensions through my use of chance operation. These found films are woven into intricately reworked sequences using several…

  • Bad Karma

    A short experimental animated film. Using hand-drawn imagery and found imagery taken from many sources. All combined to present an apocalyptic portrait of the western industrialized 20th-century world.

  • L’éclat du mal / The Bleeding Heart of It

    The house that bursts; the scene of the crime; the nucleus. A universe collapses on itself: all hell breaks loose. “In my dream there’s a war going on. It’s Christmas time. I’m running and I’m carrying myself as a child. It’s dark in the tunnel and I’m heading towards the light, the daylight.” – Louise Bourque, from the film’s voice-over narration Selected Screenings & Awards: Editing Award, Cinematexas, Austin, TX, 2005; Director’s Citation, Black Maria Film and Video Festival, Jersey City, NJ, 2006; Opening Night film, Media City Festival, Windsor, ON, 2006; Whitney Biennial, New York, NY, 2006; Sundance Film…

  • Assembled

    A hand-etched and collaged film where three figures navigate the modern social spaces of being “together alone.” Created with scratch animation, with an original score by Stephen Kelly of pop trio The Just Barelys. Selected screenings: Atlantic Film Festival, Halifax, 2006

  • c: won eyed jail

    “c: won eyed jail“ is a 35mm film project consisting of two parts: a quilt patterned out of 35mm still negatives and 35mm found motion picture, and a traditional film print of the quilt that is screened through a 35mm motion picture projector. I consider this quilt/film homage to Joyce Wieland, whose artwork called into question the binary oppositions concerning issues of art and craft, personal and public space, content and form, narrative and experimental, as well as commenting on the sociopolitical environment in which we live. The dual existence of “c: won eyed jail” as projected film and as…

  • traveling thru with eyes closed tight (map #2 – january 03 thru january 06)

    a yellow field meets clear blue skies. a mist of water over bright green grass. a well worn sidewalk in grey and white. a lone black crow on a sandy beach. a lowering sun fades into the sea. Made with the support of LIFT & the New Directions in Cinema Series, 2006.

  • hysteria

    An unstable community leads to accusations and panic. Re-considering the Salem witch trials of 1692. Then doesn’t always seem so far off from now. “In ‘hysteria’, Christina Battle refers obliquely to the contemporary political climate using schoolbook illustrations of the Salem witch trials. She works the surface of the film in distinctive ways, lifting the emulsion to add new wrinkles to the image one frame at a time.” – Chris Gehman & Andréa Picard, Toronto International Film Festival Made with the support of LIFT & the New Directions in Cinema Series, 2006. Selected screenings: Toronto International Film Festival, 2006

  • three hours, fifteen minutes before the hurricane struck

    Inspired by the diorama-like boxes of Joseph Cornell, and with text taken from victims of hurricane Katrina, “three hours, fifteen minutes before the hurricane struck” imagines moments just before a violent weather storm. “three hours, fifteen minutes before the hurricane struck” is part of a larger project titled “weather series one (hurricanes)”, a mixed-media installation with works on paper, film, video and small objects. Made with the support of LIFT & the New Directions in Cinema Series, 2006.

  • Paper, Scissors, Rock

    “Paper, Scissors, Rock” is the story of an unhappily married Korean woman who finds salvation in punk music after a breakdown.

  • Struggling in Paradise

    Amidst information overload, communication overkill and mediated emotions, Paradise, as a state of complete happiness, remains a fleeting promise, a state of mind impossible to achieve. Some seek refuge in the creative process, some multiply “various emotions” while other just drive along on the road to Paradise, thinking there is “nothing to worry about.” In the end, it is just all about “the drive.”