Film Categories: French language

  • Pur Laine

    PUR LAINE is a story about Ruby, a filipina, married to Roy, a Quebecois man, who dies and leaves her penniless. Ruby struggles with Roy’s drug addict daughter, Marie Claire, over who gets to sell Roy’s house, which also happens to be Marie Claire’s childhood home. A dramedy of errors, their collision reveals what they really want on the inside.

  • Lust Life

    Madeleine, caught between a painful past and an uncertain future, must come to terms with the loss of her lover, Claire. Making her way through Paris, Madeleine follows Aubrie, a beautiful and elusive woman who happens to work at the café below Madeleine’s apartment. – Inside Out LGBT Film & Video Festival French and English with English subtitles

  • Fati et Aissatta (Fati and Aissatta)

    Fati, 23, and Aissatta, 16, live in the banlieue north of Paris, in a cité called “La Rose des Vents.” Their father emigrated from Mauritania to France 40 years ago to work on the assembly line at Citroën. Shot over a period of three years, the film follows the stories of the two sisters, their refusal of traditional ideas of French identity and their search for independence within a community where secularization, radicalization and patriarchal rule are continually in confrontation. Fati, 23 ans, et Aissatta, 16 ans, vivent dans la cité de La Rose des Vents, dans la banlieue nord…

  • Par vos yeux (through your eyes)

    tu touches ce qui t’entoure dans un lieu partagé avec la camera; à travers ce que tu touches, à travers une chambre, un escalier, un autre corps, comme ca tu commences à exister, à vivre, à désirer – à travers cette mort de toi-meme et cette naissance d’une troisième, cette naissance de l’invisible. you touch what surrounds you in a space shared with the camera; through what you touch, across a room, a staircase, another body – you begin to exist, to desire – through this death of yourself and this beginning of a third, this beginning of the invisible.

  • Jacumba Song

    Lucienne Delyle, Tsygan the dog, Helena Petrovna Blavatsky and a mantis meet in the desert to take the waters and sing of love. An anarchistic exploration of mythologies and performative languages of romantic love and illusion combining legend, cartoon and dream. Shot in the Anza Borrego desert on Kodachrome and Ektachrome Super 8.

  • Silvia in the Waves / Silvia dans les vagues

    Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.

  • At Midnight Plays a Dance Tune

    During his mother’s illness and after her death, Roy went through an intense period in his life, in which he felt attracted to the fringes of society. He raced in his car, roamed the streets at night and indulged in sex and drugs. He always had music playing in his appartment, no matter what time it was. During this period of extremities, the memory of his former neighbour Antoine suddenly came back. As a child Roy had been fascinated by the man and looking back now it seemed like Roy’s current life mirrored that of his former neighbour. Even though…

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…

  • Le Dormeur Du Val

    Art essay video, free interpretation of Arthur Rimbaud’s poem “Le Dormeur Du Val”, aimed at pointing the absurdity of war: through history and continents, no matter their race or religion, soldiers, instruments of the authorities, represent one and only person: another victim.

  • Ruines

    Sur l’autoroute 15, juste à l’extérieur de Montréal, se dresse un monument à la Révolution tranquille : les écrans en décomposition du Ciné Parc Laval, ouvert en 1971, l’année où les ciné-parcs ont marqué l’histoire du Québec. En 1947, sous la pression de l’Église catholique, les ciné-parcs sont interdits au Québec. C’était la tentative de l’Église de réglementer le sexe en dehors de la sphère domestique. À l’origine un drive-in à 2 salles de cinéma, le Ciné Parc Laval est rapidement devenu 4 écrans en raison de sa popularité. Ce film utilise des segments de Frissons (1975) de David Cronenberg…