Film Categories: gay

  • Another Europe

    An essay film rooted in experimental cinema and queer storytelling. A female narrator (fellow artist Kathi Hofer) provides the voice over for this film, making it a reflection on my life and my journey through Europe from 2019-2020. Associative spaces unfold. A train of thoughts. The boundaries between factual and memories become a blur. How much of my personal story can be read more globally? Visual portraits of Europe’s faraway places away from typical tourist hot spots provide the mise en scène for this film. Landscapes in transition, pictures of movement, visually resembling the long journeys I have undertaken using…

  • I (heart) Jack Lalanne: A Cartoon Memoir

    This is an animated documentary film structured around the life and legend of Jack LaLanne as it explores my personal experiences growing up female and gay in 1960s-70s America. I was a serious athlete during my early and young adult years, thus the film also delves into issues of self-identity, societal expectations, and the effects of aging on the human body. “I (heart) Jack LaLanne: A Cartoon Memoir” uses classic and computer-based animation techniques that serve as the visuals to voiceover storytelling. Original drawings combine with rotoscoped footage, composited archival video clips float inside retro televisions, while stop-motion vitamins march…

  • Marble presents “IT’S MY HOUSE”

    Made in the style of a karaoke music video, this is part homage to Diana Ross’s 1979 single “It’s My House,” and part exploration of the messes and pleasures of having and sharing a “space” to call our own. Intertwined with the characteristic lyric titles of karaoke videos is a collection of scenes filmed on Super 8 where two people and a puppet move in and out of the frame, caught in the act of something… Part consciousness-raising, part illicit concoction, part inventory of liquids, text fragments and scattered objects, these scenes accompany such lyrics as “there’s my chair /…

  • Lavender: A Lesbian Love Story

    By accepting a lavender marriage proposal, Joy risks her secret relationship, forcing her to choose between appeasing her family and true love.

  • The Beautiful Room is Empty

    “Haddad’s The Beautiful Room is Empty explores the loaded memories of space through his aunt, Marie, (re)visiting her childhood home and recalling the abuse she endured there. […] What have the walls been listening to? What have they absorbed, retained, and released upon a return, a farewell?” – Sarah Sarofim, Canadian Art

  • Tiger Eats a Baby

    Accompanied by his young cub, an orphaned stray roams industrial landscapes, longing for the return of his one true companion.

  • Vampires Drink Blood… I Drink Sorrow

    A love story at the end of time.

  • Still Got It?!

    After 3 years out of the modeling industry and back in school, Adam wonders: “Have I still got it?” Ignoring the not-so-subtle warnings from his friends, our endearingly oblivious protagonist confidently decides to give modelling another shot and sets up a meeting with an agency. What follows is a series of failures, wake-up calls, and a surprising new path of self-discovery.

  • Skin Deep

    Skin Deep leads us into worlds where people are never what they appear to be. It is a riveting psychological drama about obsession, relationship and sexuality. As Alex Koyama prepares to shoot an exploitation film about tattooing and the culture of pleasure and pain, the world around her exists only to serve her film. She initiates a dangerous and threatening game when Chris Black responds to her ad in a tattoo magazine. For Alex, this is living research, and she ignores the fact that Chris is deeply disturbed and gender-disoriented. This denial escalates into a psychological battle between Alex and…

  • MAN MADE

    MAN MADE, a repurposed narrative of a boy who gets introduced to the wonders of life by a beautiful shining trumpet. But the struggle to be oneself has only begun. Utilizing found 16mm footage and both digital and analog manipulation techniques, Mikkola pierces conventional masculinity with a transformative queer gaze.