Film Categories: Gender

  • Sex, Politics & Sticky Rice

    Protests, potlucks, and three-ways are just the “tip of the rice bowl” for five Asian American lesbians recounting their adventures in sex, love, and queer activism. They were among the first generation of out Asian Pacific Islander queer activists in the San Francisco Bay Area. While Crystal Jang falls hard for her PE teacher, Gisele Pohan’s immigrant father dares her to join the 1979 Gay & Lesbian March on Washington. Helen Zia and Lia Shigemura keep a “chart” of the various hook ups and break ups. Zee Wong discovers the joys of lesbian sex in her first girl-on-girl menage a…

  • Warning Shot

    One death. Three versions of the crime. James H. Wakasa, a 63-year-old Japanese American bachelor, was shot to death by military police at Topaz concentration camp during World War II. Was it justifiable homicide, an accidental fatality, or second-degree murder? The press said he was trying to escape, the shooter claimed it was a warning shot, the case file suggests he was killed while walking a dog. This experimental film essay uses the “Rashomon effect” to juxtapose the conflicting accounts detailing the circumstances and cause of Wakasa’s untimely death. Part of the Queer Camp Trilogy.

  • Semiotics of Sab

    This experimental film essay explores the poetics of identity through an oblique portrait of gay Japanese American actor Sab Shimono. For more than five decades, Shimono has performed on stage and screen in over 150 roles as warlords, bus boys, and businessmen. Shimono asks, “How is it that we know who we are?” Recalling early structuralist works by Hollis Frampton and Martha Rosler, Semiotics of Sab displays the grammatology of queer Asian American masculinity through conflicting lexicons of race, representation, and selfhood.

  • this year, here

    A contemplation on queer histories, explored through memories of a family cottage.

  • New Woman 新女性

    New Woman is a meditative journey that investigates the look of the “New Woman” in Chinese silent screen. Through using archival film footage with intertitles also derived from the Chinese silent films, the film explores patriarchal perspectives in the portrayal of women in Chinese silent cinema, and deconstructs their appearances in order to reveal the impressive talent and outlook of the “New Woman”, which have been largely ignored and forgotten. The film features four thematic sections, Virtue, Modeng Woman, Unbound Feet, and New Woman. The footage of each section has been re-worked differently by using relevant hand processing and manipulation…

  • Christine

    With the help of her best friend, Christine redefines her perception of strength and what it means to be herself.

  • Cave Small Cave Big

    “Cave Small Cave Big” is a magical and surreal short film written by five-year-olds Madeline Harker and Adelaide Schwartz. Made to respect the gravity of the material, the film jumps from character to character as they cope with the transience of ownership, capturing that moment in a young mind when new muscles are stretched to grapple with ideas about possession and loss.

  • Whatever Happened to Jackie Shane?

    Toronto, 1963. Jackie Shane – a black, queer, soul-singing, flamboyant Nashville-born, Toronto-based musician – had a hit song on the charts. The song was a sensation, and with the lyrics “Tell her that I’m happy, tell her that’s I’m gay; tell her I wouldn’t have it any other way”, it was also an underground gay anthem. But before being able to fully enjoy the fruits of this success, Jackie suddenly disappeared. Uncovering this forgotten piece of Toronto queer music history, artists Hortie and Reynolds recreate Jackie’s story using original shadow puppets, overhead animation and stop motion techniques. Follow Jackie through…

  • Midnight at the Continental

    Toronto, 1955. In the heart of Chinatown, a new bar opens: The Continental. It’s dark, grimy, and attracts an unusual clientele. Local tabloids scream in 20-point font: “Sapphos overflow Chinatown!” The bar becomes the meeting place for two of Toronto’s marginalized communities: Chinese-Canadian men and lesbians living “the life” full time. Recounting this forgotten piece of Toronto queer history, artists Hortie and Reynolds tell the story of Toronto’s first long-standing lesbian bar using original shadow puppets, overhead projector animation and archival images. Pull a stool up to the bar and watch lesbians and Chinese men stand side by side, battling…

  • Meet Me Under the Clock

    “Meet Me Under the Clock” explores a little-known time in Toronto’s LGBTQ history when an underground Halloween tradition became an annual confrontation between an invisible gay community and a fascinated, often hateful public. “Meet Me Under the Clock” tells the story of Halloween at the St Charles Tavern, a Yonge Street gay bar, throughout the 1970s. Each year, thousands of straight spectators would gather to throw eggs and jeer at the men attending the bar’s annual drag party. This unknown Toronto history highlights the role that LGBTQ spaces play in providing sanctuary and community, the complicated relationship between the LGBTQ…