Film Categories: history

  • Cuentos de Mi Ninez (Tales from My Childhood)

    “In 1973, General Augusto Pinochet launched a violent coup in Chile that overthrew the Marxist elected president Salvador Allende. Thousands were killed, tortured, imprisoned, and exiled as a result. My family was among the many that were exiled in Canada.” – Francisca Duran In this experimental, autobiographical film, a young woman remembers and recounts difficult childhood memories of the 1973 coup in Chile when her family was forced into exile.

  • Her name was Violet

    A simple pairing of fire footage and a photograph from the US Holocaust Memorial Museum, “Her name was Violet” pays homage to a girl who once had her whole life in front of her. This short piece reflects on the act of photographing to remember, the fragile nature of life, and the power of the earth’s elements. Commissioned by LIFT (Liaison of Independent Filmmakers of Toronto) for their 25th anniversary program, “Film is Dead! Long Live Film!” Selected screenings: Cinematheque Ontario, Toronto, ON, 2007; Toronto Worldwide Short Film Festival, 2007

  • Pepere’s Chairs

    The story of Pepere’s Chairs was conceived by my mother, visual artist Maryse Maynard. It is a playful tale about a group of chairs that once belonged to her ancestors. Once the film had been recorded and edited, it was projected onto hand-embroidered canvases which served as the screen. Maryse had embroidered the canvases with chairs, and every once in a while, an embroidered chair could be glimpsed floating in the background of the film.

  • Fascination

    “In order to take the next step (not forward or backwards, but only: to go on) it is often necessary (for me) to lean on a picture made by someone else, sometimes a word will do, a gesture, the look on a stranger’s face. Colin Campbell made the next step possible for me so I took up a video camera (his pictures were my company, and my camera accompanied his pictures). Between his images of the past and mine, Colin Campbell emerged as a Cold Warrior, as an artist who would fight the Cold War with stereo. Yes, a stereo…

  • Outsiders, The

    “A super-short Super 8 remake camps up the Coppola classic. An obsession of mine, and a lot of other girls, this movie touched my sense of belonging at a time when I felt I had none – teenagehood. Years later, when tomboy-ish has matured into gender-bending queerness, 21 grown ‘girls’ play at ‘boyhood’. Done DIY style, with an ‘unknown’ all-star cast of girls, this film embodies both a music video style of fast cuts and silent film intertitles – a post-post-modern experiment of complicity and resistance.” – Juliana Saragosa Selected screenings: London Lesbian & Gay Film Festival (London, UK), 2006;…

  • Schogt, Elida: A Film Trilogy

    Newly available on DVD, this trilogy from award-winning filmmaker Elida Schogt examines Holocaust memory, the family and the role of photography in history. (For purchase only. For rentals, see individual titles.) ZYKLON PORTRAIT “Zyklon Portrait” is about Zyklon B – the pesticide transformed into a genocidal weapon by the Nazis in the 1940s. It is also an elegy for the filmmaker’s grandparents; after years of silence, the filmmaker’s mother finally talks about her parents’ horrific fate. A Holocaust film without Holocaust imagery, “Zyklon Portrait “ uses family photographs, underwater photography and hand-painted imagery to draw a personal story out of…

  • My Father’s Idea of Heaven

    Using found and manipulated Super 8 footage from his family archives, RM Vaughan explores his late father’s bizarre HAM radio hobby.

  • Dear Guy

    “Dear Guy” dramatizes an inward and sometime romantically sentimental meditation on the relevance, remembrance and acculturation of Guy Debord’s life and works. The layered histrionics of the film engender reconsiderations of identification, moral responsibility, nostalgia and the potential of art in contemporary society. Excerpts from Debord’s memoir and fictional epistolary monologues are combined with an eclectic assortment of appropriated materials, invented leitmotifs, lecture performances, hybrid forms of the essay film, documentary and edutainment formats. “Dear Guy” drifts through a labyrinth-like montage structure that frustrates passive viewing while inviting contemplation. “DEAR GUY is an energetic response and thoughtful companion piece to…

  • Tide Marks

    Ten years after the triumph over Apartheid in South Africa, four former activists deal with the consequences of their dedication to human dignity with humour, frustration and hope. In this poignant and educational documentary, filmmaker Sarah Abbott presents issues that have been largely ignored by mainstream media, as its focus on the brutalities of apartheid shifted to the successes of transforming a nation. “Tide Marks” is an evocative collection of interviews, memories, observational footage, found photographs and South African music that re-visits apartheid history and looks at aspects of its present-day aftermath. Abbott’s intimate engagement with Cape Town residents reveals…

  • America the Beautiful

    A dark satire of the history of the United States…in under 8 minutes.