Film Categories: HIV / AIDS

  • Between Friends

    Jen Roberts, a young photographer in her mid-twenties, has many friends, a partner she cares about, and a flourishing career. Upon discovering she is HIV positive her world turns upside down. The film addresses the issue of women and AIDS and helps to dispell the myth that AIDS is an exclusively gay disease. The story is open-ended as the central character is brought to a point of decision, leaving viewers primed to question their choice(s) in similar circumstances.

  • General Idea: Art, AIDS and the Fin de siècle

    “General Idea: Art, AIDS and the fin de siècle” is a humorous, informative and ultimately poignant documentary about the internationally acclaimed Canadian artists’ collective General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this poignant story of art and sexual politics. “GENERAL IDEA: Art, AIDS and the fin de siècle” is a tale of love, fame, overwhelming loss and, ultimately, renewal. Selected screenings: Canadian Art Reel Artists Film Festival, 2009; Hot…

  • We Are Animals

    In this alternate-history fable set in the 1980’s AIDS Crisis, a closeted young man is thrust into the midst of an anti-government coup and finds that the animal within is stronger than the monsters that oppress.

  • Cruising Elsewhere

    Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary gay beach. “Cruising Elsewhere” won the Jury Award for Best Short Film at the 2017 Tampa Bay International Gay and Lesbian Film Festival. “CRUISING ELSEWHERE is a formally daring – and thoroughly embodied – exploration of gay desire and the utopian possibility of that desire existing unabashedly in public.” – Jules Rosskam

  • Older Than What?

    Aging has a tendency to fade people out of the picture. Older Than What? brings LGBTQ elders sharply back into focus with humor, frankness, wit and charm. 12 seniors answer 10 questions about aging and share stories about how they made history. International Short Film Competition, Asterisco Festival Internationciale de Cine LGBTIQ, Buenos Aires, 2017 (Juried) Gold Award, Documentary Category, South Georgian Bay Film Festival, Collingwood, Canada, 2018 (Jury & Audience votes) Audience Award, Best Documentary Short, Cineffable, Paris, France, 2018 Audience Award, Best Short, USNExpo, Sardinia Queer Short Film Fest, Sardinia, Italy, 2018 2nd Place, Audience Award, Best Short,…

  • Meet Me Under the Clock

    “Meet Me Under the Clock” explores a little-known time in Toronto’s LGBTQ history when an underground Halloween tradition became an annual confrontation between an invisible gay community and a fascinated, often hateful public. “Meet Me Under the Clock” tells the story of Halloween at the St Charles Tavern, a Yonge Street gay bar, throughout the 1970s. Each year, thousands of straight spectators would gather to throw eggs and jeer at the men attending the bar’s annual drag party. This unknown Toronto history highlights the role that LGBTQ spaces play in providing sanctuary and community, the complicated relationship between the LGBTQ…

  • Bruce Eves In Polari

    BRUCE EVES IN POLARI is an intimate, upclose and personal portrait of Bruce Eves, the 2018 winner of Canada’s Governor General’s Award in Visual and Media Arts – that country’s highest honour. Eves’ work has remarkable intrinsic value that also engages key aspects of culture and history. His story began in Toronto’s clique-riven avant-garde art scene in the mid-1970s. As practicing artist and Programming Director for CEAC (Centre for Experimental Art and Communication), among other activities Eves crafted socially-engaged performance art pieces that were shown in Canada, throughout Western and Eastern Europe, as well as the United States. This included…

  • HOSER

    This video was constructed in response to my experience of sexual assault and linked to the data collection/research I was doing shortly thereafter in publicly accessible community discourses of sero-conversion (pozzing) fetish, which have since received some scholarly attention in the Academy in the Social Sciences in relation to HIV acquisition/prevention and Queer theory. This tape is a reflection upon ideas of disclosure, self-determination, self-loathing, and informal support networks.

  • On The Department Of Experiential Medicine II

    Initially an anti-gay marriage performance in a veil, speedo and heels reciting the Litanies of Satan, singing a Galasian Amazing Grace and then upending a bottle of champagne into my prelubed anus where the pressure pushed its contents inside. I then evacuate into two glasses and toast with someone from the audience. It then changed into a DIY AIDS-meds Cocktail performance with me dressed as a nurse, juicing beets and pushing vitamin supplements into my anus before taking the champagne. I then evacuate it into glasses with the beet juice and toast the audience with these cocktails.

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…