Film Categories: Immigration
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Hoa
Before developing her memory disorders, my grandmother Trần Thị Tuyết Hoa wrote an autobiographical book about her life and its events. The book is titled “Hồi Ức Tuyết Hoa” (Memories of Tuyết Hoa), and subtitled “Khi Đất Nước Tôi Thanh Bình: Hồi ức của một nữ sinh viên Sài Gòn” (When My Country is Peaceful: Memoirs of a Saigon Female Student). She now reads this book everyday in her Hanoi home. In the form of a poetic letter, this short film is dedicated to her, from me, a grandchild.
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from where to where من وين لوين d’où vers où
In the pieces I store and carry along my many different roads, my dialects may be signs of bruises but reclaimed they form the skin and voice I live in. Experiences of the where, from where, to where; a narrative amongst others. And as the words finally trickle through the needles, fingers seeping with tints trace the outline of whirling fields where I hang a jasmine branch on suspended necks and in the in-betweens, language soothes, swans mend, and the daily brings calm. We are the comfort of our multiples.
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xīn nī 廖芯妮
xīn nī 廖芯妮 (“understanding you”) is an intimate auto-ethnographic portrait expressed through dance and digital technologies. Liaw engages in intergenerational conversations with her family and community to transform the linguistic divide between her Chinese name and its Hakka translation into a space for healing. Drawing on themes of decolonizing queerness to emphasize self-love and self-curiosity, the work explores both physical and technological attachments. Bodies made up of 3D-rendered cultural objects hold space for the stories of Liaw’s elders, while expanding the growing web of her ancestral knowledge.
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Sultana’s reign
Sultana of New York is a Palestinian drag queen, performer, and artist. “Sultana’s Rein” opens with a conversation with Sultana, as she is being painted by Jordanian artist, RIDIKKULUZ. Reflecting on her journey from Jordan, Egypt, Lebanon, to then New York, Sultana tells of the challenges of performing drag in conservative societies, her nostalgia for the glory days and the glamour of Egyptian cinema icons, and her struggle to prove her existence and her self-expression as a performer and artist. She also shares her love of celebration and her everlasting commitment to be true to herself.
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One Thing I Can Afford
Louie Sanchez is the performance moniker of Filipinx artist Eirene Cloma. Cloma has recently completed a small collection of songs that broadly reflects on their working-class Filipinx upbringing in North Vancouver and the entanglements of diaspora, interracial relations, and queer desire that texture their everyday experiences. The video for their song One Thing I Can Afford broadly addresses queer and trans friendship in the diaspora, Filipinx masculinities, and everyday enactments of transgenerational care.
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Mishaps in Spacetime
Doubt creeps in as Cosmo, a space traveller, addresses his gender identity. In need of clarity and change, he wants to risk crossing the Butterfly Nebula. His spaceship, on the other hand, has a personality of her own. Cosmo will need to negotiate change with a certain loss of control. Screened at the 2025 IndieLisboa International Film Festival and 2025 XPOSED Queer Film Festival Berlin.
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Facing the Music
FACING THE MUSIC:ABOUT A MAN WHO ESCAPED STALIN AND HITLER—AND PUTIN’S RESURRECTION OF BOTH STALIN AND HITLER IN UKRAINE. Wolodymyr joined the Ukrainian partisans in 1939. They were hiding cultural lead- ers who would otherwise be persecuted or murdered by Stalin. After Hitler invaded in 1941, Wolodymyr was abducted to Germany, surviving forced labour and incar- ceration in a concentration camp. Extrapolating from Wolodymyr’s story, the film shows how the atrocities he experi- enced via Stalin and Hitler have been the ‘blueprint’ for Putin’s invasion of Ukraine. Putin’s Wagner Group mercenaries were named after Hitler’s favourite composer: Richard Wagner. The…
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Jaddoland
A visit to my mother’s home art studio in Texas prompts a deeper exploration into the meaning of home across generations and landscapes.
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Echolocation
The rain in Oakland, my grandmother’s home in Baghdad, my aunts’ voices in What’s App, my daughter learning to count to 10, my brother playing the darbuka, the cicadas in Texas, the walls of my studio, the search for new forms.
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Babash
“Babash” is a parrot who speaks mostly Farsi but sometimes mixes English and Azeri into his conversations. A singular language resulting from the place where he lives: a house in Los Angeles shared with an Iranian family. The same place where Behrouz Rae developed a friendship with Babash over the years. This short film is an associative portrait about a special relationship and the domestic surroundings in which it grew. An assemblage where household objects, daily movements and playful intimacies are mixed with a dauntless montage, precise sounds and a sensitive gaze. Observing this genuine cross-species friendship between Babash and…
