Film Categories: Jewish

  • NE Corridor

    Accumulated over three years, Joshua Gen Solondz’s film is a crowded collage of gurgling paint, jagged splices, errant sprocket holes, and puzzling images that conjure the densely material frames of the late queer avant-garde filmmaker Luther Price. A messy assemblage in purples and oranges, NE Corridor is at once a visceral explosion of color and a tortured object.-Leo Goldsmith

  • Matin Dans Une Foret de Pins (Morning in the Pine Forest)

    The lives of six young people unfold in a journey through different worlds revealed and interwoven, where the boundaries between documentary and fiction, reality and dream cease to exist. The volatile and seductive landscape of urban and rural Latvia was treated as a rich context for the complex relationships one has with the world – inviting the viewer to come upon the questions that bind us in our common need to understand our humanness. This film is based on the lives of HELENA, EVA, JANKA, GUNTIS, ANNA and GALC.

  • WE DON’T TALK LIKE WE USED TO

    “Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.”-TIFF “We Don’t Talk Like We Used To” continues Joshua Gen Solondz’s loose series of addled diary films with a film that is part travelogue, part affective almanac, and part cinematic noise show. With stops in Hong Kong, New Hampshire, Japan, and Brooklyn, the film alloys obscured faces, oozing on-screen text, throbbing abstractions, solarized superimpositions, and the occasional dad joke into…

  • Facing the Music

    FACING THE MUSIC:ABOUT A MAN WHO ESCAPED STALIN AND HITLER—AND PUTIN’S RESURRECTION OF BOTH STALIN AND HITLER IN UKRAINE. Wolodymyr joined the Ukrainian partisans in 1939. They were hiding cultural lead- ers who would otherwise be persecuted or murdered by Stalin. After Hitler invaded in 1941, Wolodymyr was abducted to Germany, surviving forced labour and incar- ceration in a concentration camp. Extrapolating from Wolodymyr’s story, the film shows how the atrocities he experi- enced via Stalin and Hitler have been the ‘blueprint’ for Putin’s invasion of Ukraine. Putin’s Wagner Group mercenaries were named after Hitler’s favourite composer: Richard Wagner. The…

  • I Will Not Think about Death Anymore

    “I Will Not Think about Death Anymore” is a dramatic film about a Jewish lesbian who is obsessed with worries about dying following the death of a friend to AIDS. The fears triggered by this event bring on anxiety attacks common to women at the beginning of a healing process from sexual abuse. The story revolves around an internal adventure and fantasy, where Death becomes a butch dyke in the supermarket. The themes of healing, sexual abuse, dying, and panic attacks intertwine with Jewish identity, and the reclaiming of Jewish ritual for gay and lesbian audiences.

  • Iskowitz

    “Iskowitz” is a rare and intimate view of the life of the late Canadian painter Gershon Iskowitz. Born in 1921, in Kielce, Poland, Iskowitz began painting in 1941. At a time when most young men are exploring the world and discovering themselves, he was interned in the Nazi concentration camps at Auschwitz and Buchenwald. To preserve his sanity he continued to paint, bribing guards for the coffee grounds he then used to create his ink. When the camp was liberated at the end of the war, Iskowitz retrieved his artwork, which had survived by being stashed under floorboards. It took…

  • Still Life

    Unlike the mediated images of current warfare, director Cynthia Madansky examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. Through sound and image “Still Life” lays devastation at our doorstep. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, “Still Life” forces us to focus on the details of present-day Palestine. Selected screenings: Berlin Film Festival, 2005; Split Festival of New Film, Croatia, 2005; Winner, Youth Award, Festival de Cine de Huesca, Spain, 2005; Human Rights Film Festival, New York, 2005; Museum of Modern Art,…

  • Beshert

    “Beshert” is a love story based on the Kabalah. The movie tells of a young man’s search for his real soulmate. “Beshert” is a universal tale that applies to every person in this world.

  • Struck While the Iron Was Hot

    This documentary film offers a glimpse into the life of an ordinary housewife, the filmmaker’s grandmother, Sally Strauss, who 40 years ago was suddenly catapulted into a media hero by tripping a runaway bank robber. The film laces elements of another era, the sights and sounds of a tight Jewish community and the naiveté of good intent. A woman who reacts instinctually to the “just” way ultimately discovers that her heroic act unexpectedly creates an overwhelming tension in the family.

  • Zyklon Portrait

    “Zyklon Portrait” is about Zyklon B – the pesticide transformed into a genocidal weapon by the Nazis in the 1940s. It is also an elegy for the filmmaker’s grandparents. After years of silence, the filmmaker’s mother finally talks about her parents’ horrific fate. “Zyklon Portrait” is a Holocaust film without Holocaust imagery: family photographs, underwater photography and hand-painted imagery draw a personal story out of historical minutiae. “Elliptical and eerily beautiful.” – John Doyle, The Globe & Mail Awards: Grand Prize, Bilbao International Festival of Documentary and Short Film, Spain; Best Short, Best Editing and Vision TV Humanitarian Award, Hot…