Film Categories: Landscape

  • Appropriated, The

    THE APPROPRIATED was shot in several mega shopping malls with a hidden camera during the annual pre-Christmas crush. An ongoing thread in Dudar’s films is patterned movement, sometimes choreographed, but in this case found and manipulated in post-production. A myriad of editing techniques reveal shamanistic-like rituals in the everyday actions and behaviors of the shoppers. First unnoticed, small gestures are revealed and turned into mystic hand signals. Sometimes the shoppers cross into mysterious dimensions, deftly undermining our comprehension of spacetime. Abetted by the editing, a preponderance of reflective glass throughout challenges our perception of what is real, and what is…

  • Clear and No Screws

    Clear and No Screws profiles SendAPackage, a wholesale warehouse founded by ex-prisoner Chris Barrett where all of the items sold meet the 36-page list of rules regulating packages allowed into the New York prison system. From pattern-less boxer shorts to hip hop cassette tapes specially produced for New York State’s 54,000 prisoners, Clear and No Screws offers a tender glimpse into life in prison through the circulation of regulated goods.

  • Gulls At Gibraltar

    Seagulls hover and dip on the rocky coastline of Gibraltar Point on Toronto Island. Tilting and multiple horizons camouflage the birds, splintering and gathering the lone gull to the flock.

  • A Idade da Pedra

    A voyage into the far west of Brazil leads us to a monumental structure – petrified at the centre of the savannah. Inspired by the epic construction of the city of Brasília, the film uses this history to imagine it otherwise. Through the geological traces that lead us to this monument, the film unearths a history of exploration, prophecy and myth.

  • Sacris Pulso

    Sacris Pulso departs from the dismemberment of another film, “Brasiliários”, a filmic adaptation of Clarice Lispector’s chronic “Brasília”, a visionary text that looks at the inaugurated capital as a ruin of or from the future. Through the assemblage of “Brasiliários” with a body of 8mm found footage depicting rituals of travel and family, “Sacris Pulso” takes the form of a voyage of memory and fiction, of a past and future time calling upon the ghosts of Lispector, upon the spectral ghost of Brasília and sewed through the ties of a family fiction.

  • Engram of Returning

    “The figure of the jig-saw / that is of picture, / the representation of a world as ours / in a complex patterning of color in light and shadows, / masses with hints of densities and distances, / cut across by a second, discrete pattern / in which we perceive on qualities of fitting and not fitting / and suggestions of rhyme / in ways of fitting and not fitting – / this jig-saw conformation of patterns / of different orders, / of a pattern of apparent reality / in which the picture we are working to bring out appears…

  • Alberta

    Travels made in Banff and Jasper National Parks, on paths cut through mountains into sky. “A journey without arrival, in the great tradition of Canadian landscape travelogues.” – Richard Kerr

  • Methylenedioxymethamphetamine

    Using macro cinematography, “Methylenedioxymethamphetamine” documents the landscape of the drug MDMA. The combination of reflective abstractions with techno music creates an eerie meditation on rave culture.

  • The Season Word

    Still but twisting eye / from fall’s wither to first snow / where lives my wonder.

  • Mills

    The ruins of a nineteenth century farm in the brush off Moatfield Drive in Toronto – a stone shack without a roof and, not much further, a well, long since abandoned as a sewer. We made a quick inventory: splintering branches; stars and asterisks; coded tags.