Film Categories: Landscape

  • Killarney, August 11th, 2018, Scattered Showers

    “Killarney, August 11th, 2018, Scattered Showers” is a slow-moving painting depicting the passage of time in a timeless place through twelve split-screens, each corresponding to a different time of the day.

  • Beaver Lake, August 25th, 2018, Ciel Variable

    “Beaver Lake, August 25th, 2018, Ciel Variable” reimagines the length of a day in three screens, corresponding to Morning, Afternoon and Night, that are slowly revealed through zoom outs that travel from abstraction and slow motion to an ever-faster, ever-more-complicated panorama unveiling all the hours of a day.

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • It Matters What

    Absences and translations motivate this experimental animation in an exploration of the methods and materials of reproduction and inscription. The inquiry is set within a framework of practical and critical human relationships with other-than-human-species elucidated by the theorist Donna Haraway. A fragment from Haraway’s essay “Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene” is reworked here as a poetic manifesto. Enigmatic found-footage calls into question human violence over animal species. Plant life is both the subject matter of the images and assists the means of photographic reproduction.  The techniques used include in-camera animation, contact prints and phytograms created by the exposure of 16mm film overlaid with plant…

  • vulture

    “vulture” sets its sight on farm animals and their surrounding flora. Static shots and slow-moving zooms, follow the grazing animals in their minute inter-species exchanges. When left to roam together the sensibilities of these “beasts” are allowed to surface. The film was shot and processed with various means including flower/plant processing carried out as blooming occurred, from 2016-18. In some cases a salt bath was used for fixing the film which was left soaking in the dark for three days. “Vultures hover over the barn, from high, with razor sharp eyesight, and a keen sense of smell. Together, they stalk…

  • Dear Grandpa

    Using my grandfather’s old eight-millimetre film camera, I explore the deteriorating relationship I had with my grandfather during his final days after being diagnosed with cancer.

  • Ambient Walk #3

    In his series of site-specific installation works, Janzen navigates the back alleys of the city on foot with a video camera focused down on the walking surface. As surfaces rapidly pass by the lens, an unusual perspective of the city is captured. The visual result is highly animated with an endless variety of pattern, line, and colour. The rhythm of the artist’s footsteps and surrounding human and machine activity adds an ambient sound mix. Back alleys present an alternative for travel through the city, outside the traditional grid of streets and sidewalks. They offer a more private view of the…

  • HookLineSinker

    Lead, rope, single-channel video projection, sound (5:00 loop), 2005-2014 An installation that challenges the viewer to negotiate between two and three-dimensional space. A rope from above penetrates a simulated “hole” in the projected image of water. An additional simulation of refraction leads the rope below the “surface” of the water to an oversized lead sinker toward the viewer’s space.

  • May Waves Rise From Its Floor

    “May Waves Rise From Its Floor” follows in Hallé’s career-long practice of researching and building custom-made projection devices to be used in collaborative shows. For this project, Hallé continues his method of using live manipulation of candle light with broken pieces of glass and breathing to illuminate 16mm film. The ability to spontaneously create and adapt the visuals has led Hallé to perform this show with a diverse range of renowned improvising musicians. The 16mm film that plays on the projector was made by Hallé specifically to be projected using this custom-device. The subtle, slow-moving, and often abstract imagery of…

  • Extractions

    A personal film about Canada’s extraction industry and its detrimental effects on the land and Indigenous peoples. This film parallels resource extraction with the booming child apprehension Industry currently operating in Canada which is responsible for putting more Indigenous children into foster care than were in Residential Schools. As the filmmaker reviews his life and how these Industries have affected him, he also reflects on having his own eggs retrieved and frozen to make an Indigenous baby.