Film Categories: Latinx

  • The Space Shuttle Challenger

    Through found footage, The Space Shuttle Challenger entwines the Challenger disaster, Guantanamo Bay, Chile’s coup d’état and the experience of being 16. It reflects on the personal impact of large events in world history and small moments of hope that survive.

  • The Places We Lived

    The Places We Lived uses a large family archive of Super8 and digital home movies from the mid-1970s to late 1990s to grapple with the hopes, dreams, and disappointments of two South American immigrants who moved to Montreal in the wake of the excitement and optimism generated by Expo ’67. This story focuses on the father, Jose (“Pepe”), whose life in Canada followed four hardscrabble decades in Chile. A story about childhood and fatherhood, aging, capitalism, and obsolescence, The Places We Lived opens up new questions about class, memory, diasporic narratives, and the complicated histories of migration and exile.

  • A Parent’s Wishlist

    A short film about upward mobility and working class aspirations, A Parent’s Wishlist focuses on something that could be found in many North American homes between the mid-twentieth and early twenty-first centuries – a set of encyclopedias. Dragged from one city to another and across the country by my Chilean father, his Encyclopedia Britannica set came to symbolise his hope for a better life for both himself, and for me.

  • A Life on the Borderlands

    This is a film about my father, who immigrated to Montreal from Chile in the early 1970s after a hard-scrabble life on the streets of Santiago as a youth. Like my mother, who immigrated from Argentina around that time, his mobile life was characterised by neither chain migration nor lasting social ties with members of his ethnic group. His story is also a story about class, politics, and complicated histories of migration and exile.

  • The Sweater

    Historian Carolyn Steedman, in writing about her own working-class childhood, describes how, for children of working-class families, it is often the mother and not the father who embodies power. The child experiences a father who is relatively powerless in the larger social world outside the home, so that even if he is physically powerful, as my father was, he can simultaneously be perceived as a weak man. “The Sweater” blends 16mm hand processed film with found footage and video to explore childhood memories triggered by finding the last thing my deceased father gave me. Using short vignettes, I tell several…

  • Fluid Bound

    An experimental gender fluid, mestize-Indigenous film that uses text, sound design, crude animation, and bondage rope to meditate on the complex, generations-old relationships and battles between our skin and our souls.

  • Unarchive

    Unarchive juxtaposes the filmmaker’s father’s life with the political history of Chile – his birthplace – over the past century. It reflects on how we remember and how we forget, and the role of the camera in transcending the complex space in between.

  • Every Day Burns

    Award winning pole dancer, Sada Velasquez, addresses the familial and social stigma she must overcome in order to pursue her passion for dance. Everyday Burns is a short documentary exploring one artist’s journey towards self expression and community empowerment. Every day Sada overcomes physical limitations, personal doubts and moral perceptions of others in order to create a safe space for folks to explore their sensual freedom.

  • Masters of Rhythm the Afro-Peruvian Way

    “…a rare and delightful glimpse….capture(s) the artistry, love and philosophy….” (John Santos, percussionist, seven times Grammy nominee) Masters of Rhythm, of filmmaker Eve A. Ma, has screened in five countries on three continents, and won awards in the USA and Germany. A natural outgrowth of my earlier documentary about Afro-Peruvians, it features percussionists Lalo Izquierdo, Cotito and Huevito. Performancs include two original music compositions and a dance form called Afro-Peruvian zapateo, with fancy footwork similar to tap dance.

  • The Spanish Experimentals of Eve A. Ma

    Compilation of Eve A. Ma’s works: 1. Two Streets and Adela 2. Tone Poem with Hang Drum 3. Her (Ella) You are able to click on each title to see the separate film page and to inquire about individual films.