Film Categories: Literary/theatre

  • Amateur Dramatics

    Two competing actors find truth in pretending.

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • Trans Cabaret

    “Trans Cabaret” is half hour long “edutainment” cabaret of sketches about “all things trans”, performed by members of the trans community for the purposes of bringing “translightenment to the masses”. The video also goes behind the scenes to show the performers coping with being homeless, dealing with transphobia in the shelter system, telling parents about being trans and dealing with abusive partners. During the cabaret the performers rehearse tongue-in-cheek sketches by “characters” in the cabaret. The video demonstrates through the cabaret an open attitude about the basics of gender reassignment surgery, gender identities and orientations, the myths and realities of…

  • ARTIFACT (circa 2006)

    The archaeology of Identity. Consider a world where all human communications are represented by numbers, a digital world. Imagine a future archaeologist finding a DV cassette from hundreds of years ago (a real found object, circa 2006, full length and uncut). Imagine trying to decode this ancient digital object, codecs unknown, obsolete, hardware long lost. Crack the code? Available algorithms scan, databases compare, construct, deconstruct, reconstruct the artifact. 2006, the dawn of self-by-numbers, digitized identity. What human fragments, fugitive narratives, remain? Do we have a future history? What will the algorithms decide? All bookings of this film include a free…

  • Antigone

    In “Antigone” we re-visit the twisted shapes of the Master in his various get-ups: father, king, detective, god, stats, text, son…film director. Also featuring a familiar mother-lover combo. “…A blast of fresh air on the experimental scene, this cheeky, post-modern story about the story rips apart any pretensions we may hold about the avant-garde, the Canadian film industry, or narrative itself.” – Festival of Festivals “Antigone” rolls out black and white, silent-movie style, with a blast of horns and the mock-mournful strains of the violin. Slapstick sounds and Popovich’s narration prick the pretensions of those involved in retelling the [Oedipus…

  • Gertrude & Alice in Passing

    This experiment in point of view, narrative structure, and time attempts to reproduce cinematically Gertude Stein’s notion of a “continuous present.” In four rhyming shots/scenes, it suggests the development of a relationship over many years. Based on biographical details from the lives of Gertrude Stein and Alice B. Toklas, with improvised performances by Jackie Burroughs and Anne Anglin.

  • No Mime Game

    An effective mime-skit showing the perils of drinking and driving. A mixture of mime, camera work, and special effects prepares us to expect the inevitable crash. An excellent film for use in driver and health education or dramatic arts classes.

  • In His Own Image

    An alternate view of man’s development. Zeus, at his drawing board, wrestles with the problem of making the perfect creature for the perfect environment.

  • Kick That Habit Man!

    The phrase “kick that habit man”, which is also a poem by Brion Gysin, is re-arranged in every possible order in this clever blend of sound, image, and optical printing.

  • Landfall

    “Landfall” was shot in Prince Edward Island, near the family home on the Northumberland Strait. The original footage, shot in 1974, was a kind of interactive, camera “dance” with the environment. Poetry became important when the footage was later superimposed onto its own mirror-image, to help direct the viewer away from the luring yet limited world of image-identification. “I Thought There Were Limits,” by Quebec poet D.G. Jones, w as used to encourage the viewer to reject Newtonian notions of space and time, and to conceptualize the film’s interplay between absence, desire, and presence. Eventually, the limitation of text as…