Film Categories: Literary/theatre

  • Cri du Silence, Le

    “Le Cri du Silence” follows Jean-Marc Dalpe step-by-step through his life and his experiences in Penetanguishene, Sudbury, Toronto, Rockland, Ottawa, and many more cities and villages. The film presents a portrait of the author and playwright, of this world and the Franco-Ontarian community. Dalpe’s poetry and plays reflect the conflicts, passions, and fears of those he has encountered. From Snoopy Dufour, the biker of the Amoco strike, to Therese Groleau, who inspired Dalpe’s play “Hawkesbury Blues,” “Le Cri du Silence” presents precious testimonies and stirs the memories of those who have felt the Dalpe effect so intensely. Note: French Language

  • Jolicoeur Touriste

    An enclosed space, a struggle against the constraints of personal isolation explored through a fractured narrative. A man living in a broken-down rented room in a Tourist Inn travels through his inebriation, his memories and his fantasies, transcending the limits of time and space, which suddenly intertwine. A film about loss and absence. Selected screenings & awards: Best Experimental Short, Melbourne International Film Festival, Australia, 1990; Outstanding Achievement Award, Concordia University, Montreal, QC, 1989; Honorable Mention, The Canadian International Annual Film Festival, Ottawa, ON, 1990; Opening film, 39th International Mannheim Film Week, Germany, 1990

  • People in the House, The

    “‘The People in the House’ examines the dynamics of a family in crisis and questions the role of religious devotion in the perpetuation of dysfunction. The exterior of the house is never seen, and the family’s anxiety, as is often the case, plays out within the confines of four walls. Filmed with a dreamy, surreal quality, ‘The People in the House’ dwells within the tension between harmony and chaos.” – Liz Czach, Toronto Film Festival Catalogue, Canada, 1995 Selected screenings & awards: Best Experimental Film, The 14th Uppsala Short Film Festival, Sweden, 1995; Special Jury Award, The 31st Yorkton Short…

  • Just Words

    “Using as it’s text Samuel Beckett’s ‘Not I,’ this shocking gift incorporates optically printed home movie footage and an eerily slick close-up of actress Patricia MacGeachy as she rants at lightening speed Beckett’s words about home, family and the confines and alienation associated with being a woman.” – Program notes, Madcat Film Festival, San Francisco, 2001 “A 10-minute tour de force […]. In ‘Just Words,’ Bourque intercuts footage of her mother and her sisters with a performance by actress Patricia MacGeachy of Samuel Beckett’s ‘Not I’; the result is unnerving (as all Beckett is) yet touching (as some Beckett is…

  • Outsiders, The

    “A super-short Super 8 remake camps up the Coppola classic. An obsession of mine, and a lot of other girls, this movie touched my sense of belonging at a time when I felt I had none – teenagehood. Years later, when tomboy-ish has matured into gender-bending queerness, 21 grown ‘girls’ play at ‘boyhood’. Done DIY style, with an ‘unknown’ all-star cast of girls, this film embodies both a music video style of fast cuts and silent film intertitles – a post-post-modern experiment of complicity and resistance.” – Juliana Saragosa Selected screenings: London Lesbian & Gay Film Festival (London, UK), 2006;…

  • Vegetable or Fruit, Weed, Stalk or Root?

    “Vegetable or Fruit, Weed, Stalk or Root?” is a 16-minute documentary about the 28th Rhubarb! Theatre Festival at Buddies in Bad Times Theatre.

  • acrobat, the

    Inspired in part by a poem by Toronto poet Ryan Kamstra, “the acrobat” is a consideration of the relationship of gravity and politics – the beauty and necessity of rising up, but also, perhaps, the significance of allowing oneself to fall. If the force of gravity is in relation to both mass and proximity, how does the force of politics resonate across space and time?

  • Firefly, A

    Based on a poem by Souvankham Thammavongsa, “A Firefly” plays with words, letters and optical sound. Produced for LIFT Poetry Projections 2007.

  • David Roche Talks to You about Love

    David Roche looks out from the screen and starts to talk about love as he rises in the freight elevator to his lofty abode. From the first few sentences, it’s clear that here’s a literate, witty script executed by an actor/writer who, in conjunction with the filmmaker, knows how to convey his autobiographical, deja-vu views. Poignant. Beautiful. Cynical. It is an insight into human relationships for those of all persuasions.

  • King County

    “King County” follows Camile Schwartzbaum as she leads her community theatre company in a frantic search for a bad 80s movie to turn into the next Broadway Smash ala XANADU.