Film Categories: media studies

  • Blair’s Last Day

    Blair Maddox has been projecting IMAX films at the Space & Science Centre in Edmonton, Canada for almost 30 years. ‘Blair’s Last Day’ documents his last day on the job before the IMAX theatre switches to a digital projection system, leaving Blair unemployed after projecting over 30,000 films.

  • Somnium Lapidum (Dream Stones)

    This stop-motion 16mm film offers an audiovisual meditation on the material animation of stones. The concept is inspired by Camillo Leonardi’s “Speculum Lapidum”, published in 1533, which describes the magical healing virtues of a variety of stones, categorized by colour. The character-based animated vignettes are inspired by the woodcuts in “De Hortus Sanitatis”, a natural history encyclopedia published in 1485, which details various methods of harnessing the power of gems. It was believed at the time that a given gem’s powers could be absorbed through focused viewing. Proposing an analogy between this belief and attraction to cinema, this film offers…

  • The Films of David Rimmer

    Available for purchase in the CFMDC Shop: https://www.cfmdc.org/shop. This three-volume set brings together some of David Rimmer’s most seminal early works. Born in Vancouver, BC, Rimmer has been a pivotal figure in the city’s art scene since the early ’70s. Known for his experimentation with superimposition, looping and optical printing, Rimmer’s aesthetic reflects a “West Coast sensitivity to landscape, poetry and psychedelia” (Chris Kennedy). Volume One Square Inch Field -1968 / 13 min / 16mm / CLR / Sound Migration – 1969 / 11 min / 16mm / CLR / Sound Landscape -1970 / 8 min /16mm / CLR /…

  • ôtênaw

    “ôtênaw” is a film documenting the oral storytelling of Dwayne Donald, an educator from Treaty 6, Edmonton Canada. Drawing from nêhiyawak philosophies, he speaks about the multilayered histories of Indigenous peoples’ presence both within and around amiskwacîwâskahikan, or what has come to be known as the city of Edmonton.

  • ABCAM

    “Richard Martin deconstructs the process of montage, exploring a sequence of a TV movie, revealing the central conventions of the genre and its raw, rhythmic and mesmerizing predictability”. – Les Rencontres Internationales Paris, 2016

  • 165708

    Shot entirely in 16mm black-and-white film using single-frame photography, “165708” employs in-camera techniques and chemical manipulation of processed film to produce an eidetic study of temporal elasticity. Techniques include flicker, time-lapse, light painting, stop motion, tinting, and toning. Combined with cycles of alternating exposed frames, these methods imbue the work with a rhythmic magnetism, apparent both in the tempo and the aesthetic of the images. Exploring the capacity of the medium to express various notions of time, the film begins with a woman looking out from the shoreline. This acts as a point of departure to disparate yet interconnected sequences…

  • The Burning Desire in a Dollar Bill

    The Burning Desire in a Dollar Bill shows how the special interests of media conglomerates and their parent companies mould our latent desires at a young age, later leaving us confused as to whether we are lusting after the sexually charged imagery or the products being advertised. The film argues that the act of purchasing is the strongest aphrodisiac in a capitalist society, leaving open the possibility that a solution to toppling capitalism is to shift our sexual desires from consumerism to personal freedom from the state. The film was created during a residency at Signal Culture using a modified…

  • Schèmes Arbitraires

    Four choreographies in a continuous narrative working through themes of struggle and beginning within conformity and control. Five Dancers as part of a larger group of dancers, and then exploring freely in the past before being moved into the conformity space, finally they are allowed periods for competition and then play both of which inevitably reinforce, and lead them back towards, the conformity space. This project is very much a collaboration between most notably Gelymar Sanchez, a montreal choreographer, Sebastien Lavoie, an Oxford experimental musician, and Sean C Dwyer, an actor and filmmaker. Each of them have had interesting, exciting…

  • 8401

    8401 is a moving-image and light landscape painting depicting a multi-layered, fragmented view of Villa Grimaldi in Santiago, Chile. Now a memorial park, Villa Grimaldi was a clandestine detention, torture and extermination centre during the Pinochet regime (1973-90). The image is built of hundreds of images extracted from five years of Google Street Views of the address and site, Avenida José Arrieta 8401.The sound is composed of fifteen audio loops of ambient sound and voice, deconstructed from a field recording gathered during a 2016 tour of the facility. A multitude of shifting perspectives give the impression both of deprioritizing time…

  • Potamkin

    In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world’s most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness. At the Odessa steps, trampling gives breath to the child. The bullet miraculously reforms the face. The Cossacks march backwards, retreating unseen into their…