Film Categories: Memory

  • Sightings

    During my childhood I spent countless hours daydreaming. Often about boarding an alien spacecraft where they would ask me about life on Earth. I would enthusiastically tell them my thoughts and observations about this or that, which the space aliens always seemed to find interesting. In retrospect I was engaging in a transference of my frustration that no one on this planet seemed particularly interested in my opinions. At that time, I was a voracious reader of science fiction novels, in particular Robert Heinlein, Ray Bradbury, and Isaac Asimov. After watching Stanley Kubrick’s “2001: A Space Odyssey” I was certain…

  • Shadows from Magnets

    I not only want to locate my place, but I also want to discover where my place is in that place. I desire to experience the illuminated moment, moments which for me can only be perceived when one calms the memory to pierce the shadows and to lift a veil. The story for me is in how light contrasts the absence of light in shaping forms within a given frame of time and space. The presence of shadows for instance on a landscape is largely determined by three factors: wind speed, the distance of the clouds from a particular location…

  • Air & Earth

    There are certain places that sustain me. Places where the elements of nature are so evocatively displayed, that my desire to return and experience them again never loses its hold. The Big Island of Hawaii is 20 degrees latitude north of the equator giving it a climate with a narrow range of temperatures along with continuous prevailing winds. Above 30 degrees latitude north and 30 degrees latitude south of the equator cold air from the Arctic and cold air from Antarctica mingles vigorously with hot air from the tropics. It is largely this interaction of cold air from the poles…

  • Burning Farm House

    While driving down Highway 13 in Saskatchewan, Canada I noticed some unusual black smoke on the horizon which turned out to be an early 20th Century farmhouse. I quickly found an empty field nearby and positioned my camera for about an hour until the farmhouse merged into the prairie landscape.

  • All Us Choir Boys

    Peter has not left his apartment in two years and spends most of his time in video chat rooms. He fears that Dylan, an online hookup, has met a violent end. Day after day he hunts for the file of their last video chat so he can send it to the police. Vernon, a love interest from Peter’s former choir, wants him to get over his obsession and attend Vernon’s solo choir debut. Meanwhile, Peter’s therapist encourages him to explore past trauma rather than online fantasy. When Peter finds the file, he is shocked to his core. Now he must…

  • Face à ma fenêtre

    An expressionistic exploration of agoraphobia and isolation. A young woman stares outside her window, summoning the courage to step outside.

  • Don’t Forget The Water

    A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge. 

  • The Day Stashi Ran Out of Honey

    An old man, a village, a potato field in bloom, and the sudden appearance of war on your doorstep. The Day Stashi Ran Out of Honey creates a haunting visual collage of kate 1930’s Poland, blending historical reality with one grandfather’s recollection of a fateful day.

  • How amazingly unlikely is your birth

    What could a cosmology of one person’s life look like? A daughter examines the life and premature death of her father, who had a troubled relationship with the psychiatric medical establishment and was passionate about ecology, politics and space travel.

  • Brimming

    A fire burns. Water flushes out the chemical leak. Will a historical moment rise to the surface?