Film Categories: Nature
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HookLineSinker
Lead, rope, single-channel video projection, sound (5:00 loop), 2005-2014 An installation that challenges the viewer to negotiate between two and three-dimensional space. A rope from above penetrates a simulated “hole” in the projected image of water. An additional simulation of refraction leads the rope below the “surface” of the water to an oversized lead sinker toward the viewer’s space.
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Fiori Della Mia Vita (flowers of my life)
Fiori Della Mia Vita is a memorial to lost love that is based on the true love story of my mentor Gianpaolo Barbieri and his partner Evar, who died a quarter of century ago. GPB + EVAR
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Night Garden
This personal short film uses a series of telephone conversations with the filmmaker’s mother as she tries to reconcile facing cancer for a fourth time. Low-fi video filmed at night captures her mothers bond to her home, shaping the tension and isolation of living life with a terminal illness. Nocturnal lush garden imagery also evokes private reflection, and in one final moment, proposes a provocative question about time.
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The Shouting Flower
A work about collaboration and process, “The Shouting Flower” approaches political resistance from multiple subject positions–plant, child, filmmaker–in an attempt to model what Anna Lowenhaupt Tsing calls “work across difference.” Using images processed in plant material that was gathered at key locations throughout the city, as well as direct animation and audio recorded on a child’s toy, the film documents its own creation within a landscape of hostility and neglect. A collaboration against cooperation, it becomes as it refuses. Refusing, dispersing, it shouts, “No!”
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Livestock
“Livestock” is a documentary study of one stage in the production of motion picture film. Most of the animals at the Warren Livestock Auction will be sold for industrial meat production. Their bodies will be slaughtered and processed, their bones prepared for rendering into gelatin that might one day suspend silver halide on a strip of acetate.
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Waiting (انتظار)
A young woman journeys to visit her grandmother. What transpires between the unsaid and silence propels into a prolonged moment of tension and desires of connection. Image description: A young woman and her grandmother sit next to each other on a couch. They both look straight ahead with stony-faced expressions, not talking.
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Before After Again
In a series of reflections and reversals, this dual-projector film follows the flow of carbon from mountains to sea, as it is transformed from forest ecosystem into industrial landscape, and back again. Commissioned for the End of the World project by Iris Film Collective and funded by the Canada Arts Council. Although its interpretation was left entirely to us, the project title made reference to the West Coast as the edge or end of Canada; to global concerns over the compromised and fragile state of the planet; and to the often predicted “end of film”. To link the final films…
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When We Are Nothing Left
A minimalist film and study about time, infinity and the life cycle, created in the spirit of William Blake.
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Animal Bridge U-3033
Animal bridge is an experimental nature documentary about a green bridge above motor highway. Animal Bridge U-3033 is about the parallel realities of humans and wild animals. It’s filmed during a year on a bridge above motor highway. These bridges are architecturally engrossing structures, addressed only to the nature, allowing animals to cross the highway. The built environment meets the untouched nature in this narrow strip of urban forest. The 35mm film sequences shot with an old camera create contrast with a mysterious reality captured by trail cameras.
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forwards, backward
Compiled from unused images of a half-shot and perpetually delayed documentary, this film is an illusory visual and sonic reflection on a stagnant film career. Simultaneously moving forwards and backwards and not at all. Driving 100mph and standing still. One step forwards, two steps back.
