Film Categories: Oral Histories

  • Without Consent

    “Without Consent” weaves a young woman’s personal account of forced adoption in Australia in the late 1960s. It recounts the legal climate that outcast young unmarried women who were pregnant during these years, the systemized abuse they endured in the name of God as well as the stories they hid.

  • Ayesha

    An imaginary biography of my mother who, in her youth, dreamed of being a Bollywood dancer. In a lush fantasy through the heart of India, I reclaim her destiny and desires lost in another age.

  • Cruising Elsewhere

    Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary gay beach. “Cruising Elsewhere” won the Jury Award for Best Short Film at the 2017 Tampa Bay International Gay and Lesbian Film Festival. “CRUISING ELSEWHERE is a formally daring – and thoroughly embodied – exploration of gay desire and the utopian possibility of that desire existing unabashedly in public.” – Jules Rosskam

  • Meet Me Under the Clock

    “Meet Me Under the Clock” explores a little-known time in Toronto’s LGBTQ history when an underground Halloween tradition became an annual confrontation between an invisible gay community and a fascinated, often hateful public. “Meet Me Under the Clock” tells the story of Halloween at the St Charles Tavern, a Yonge Street gay bar, throughout the 1970s. Each year, thousands of straight spectators would gather to throw eggs and jeer at the men attending the bar’s annual drag party. This unknown Toronto history highlights the role that LGBTQ spaces play in providing sanctuary and community, the complicated relationship between the LGBTQ…

  • The World in Ten Blocks

    Welcome to Bloorcourt, one of Toronto’s most diverse neighbourhoods. Small business owners from all over the world have made this one of the most vibrant parts of Toronto. Meet some of these immigrant entrepreneurs and hear about their dreams, struggles, victories, and the unexpected ways in which they’ve changed. An intimate journey into the kitchens and behind the counters of small businesses where cultures and traditions are preserved, shared, and evolve.

  • ôtênaw

    “ôtênaw” is a film documenting the oral storytelling of Dwayne Donald, an educator from Treaty 6, Edmonton Canada. Drawing from nêhiyawak philosophies, he speaks about the multilayered histories of Indigenous peoples’ presence both within and around amiskwacîwâskahikan, or what has come to be known as the city of Edmonton.

  • I Want To Kill Myself

    Contemplating suicide: a biography.

  • Whitewash

    “Whitewash” examines slavery in Canada and its omission from the national narrative. The country prides itself as being the benevolent refuge where enslaved Africans who were brought to United States gained their freedom via the Underground Railroad. That powerful image overshadows the fact that slavery was legal in Canada for over 200 years under both French and British rule. “Whitewash” brings to light some of the slave families that were brought to Prince Edward Island by Loyalists and looks at how nine generations of descendants have assimilated to the point of leaving very few visible traces of their origin.

  • Cairo In One Breath

    Every day, people are being replaced by machines. The adhan is a 1,400 year-old oral tradition in the process of unprecedented change in Cairo. After 60 generations, thousands of individual muezzins are being replaced by a single voice broadcast from a radio station as part of a plan of the Mubarak regime. As the Adhan Unification Project takes hold, Egypt undergoes Revolution and regime change. The film follows muezzins from when they heard rumors of the AUP through its implementation, which since 2010 has displaced thousands.

  • Looking For Carmen

    “In his most ravishing and heartbreaking work, Arriaga ventures again to his native Peru in search of a lost friend. Along the way he encounters the faces of those who speak about wounds that cannot heal—survivors recounting the deaths and disappearances of their beloveds during Peru’s civil war that pitted the communists of The Shining Path against the government, with both sides aligned against the people. “The dead have called us to find them,” remarks Lida Flores de Huaman, and Marcos follows her evocation, cutting memory trails into Peru that bring back the names of the disappeared. Using frames that…