Film Categories: Performance

  • Kiri and The Girl

    Based on the experiences of Tlingit artist Kiri Geen as she reconnected and reclaimed her Indigenous heritage after her adoption, “Kiri and The Girl” follows young Kiri as she navigates losing her mother and is guided to becoming her true self.

  • The Propagation of Uncertainty

    Emily DiCarlo’s three-channel video installation The Propagation of Uncertainty (2020) explores the friction that occurs between, what she termed, “the infrastructure of time with the intimacy of duration.” The work focuses on time frequency standards and how our accelerated, networked world relies on the foundation of Coordinated Universal Time (UTC). With airports, stock markets and telecommunications operating through precise temporal orchestration, UTC reigns authoritatively omnipresent, but in actuality, is anything but absolute. Through a month-long “post-real time” process, collected asynchronous data from 82 master atomic clocks around the world is reckoned at the International Bureau for Weights and Measures (BIPM)…

  • Peace

    Peace, takes its starting point from a super 8 found footage film material, and is a collaboration between me and Lisa Marr. I asked Lisa to read the word peace in 18 different languages; English, Spanish, French, German, Italian, Dutch, Swedish, Russian, Polish, Hungarian, Greek, Turkish, Arabic, Hebrew, Persian, Hindi, Urdu. Sound/Voice: Lisa Marr

  • We Are We Come We Go

    A meditation on time and acquaintances; a walk through a maze; the artist draws a circular path.

  • xīn nī 廖芯妮

    xīn nī 廖芯妮 (“understanding you”) is an intimate auto-ethnographic portrait expressed through dance and digital technologies. Liaw engages in intergenerational conversations with her family and community to transform the linguistic divide between her Chinese name and its Hakka translation into a space for healing. Drawing on themes of decolonizing queerness to emphasize self-love and self-curiosity, the work explores both physical and technological attachments. Bodies made up of 3D-rendered cultural objects hold space for the stories of Liaw’s elders, while expanding the growing web of her ancestral knowledge. 

  • Les fleurs du mâle

    “The mysterious creature, Salma, realizes that being herself has repercussions on her life and that she will never be accepted as she is. So she decides to ask the creatress of this world for mercy.” The film was shot in super 8 in-camera edited. It was inspired by the letter sent by Charles Baudelaire to the Empress Eugenie after being censored and fined for his book “Les fleurs du mal”. The reason of the condemnation: offense to public morals and good manners as well as offense to religious morality.

  • One Thing I Can Afford

    Louie Sanchez is the performance moniker of Filipinx artist Eirene Cloma. Cloma has recently completed a small collection of songs that broadly reflects on their working-class Filipinx upbringing in North Vancouver and the entanglements of diaspora, interracial relations, and queer desire that texture their everyday experiences. The video for their song One Thing I Can Afford broadly addresses queer and trans friendship in the diaspora, Filipinx masculinities, and everyday enactments of transgenerational care.

  • Missing Associates Redux

    In 1972, visual artist/filmmaker Peter Dudar and dancer/choreographer Lily Eng formed a multimedia partnership named MISSING ASSOCIATES. INVENT A NEW VOCABULARY. START FROM ZERO. OBSERVE AND INCORPORATE INVOLUNTARY MOVEMENT. MISSING ASSOCIATES [NOTES 1972] MISSING ASSOCIATES started the first wave of performance art and experimental dance in Toronto art galleries “MISSING ASSOCIATES ARE ON THE CUTTING EDGE OF EXPERIMENTAL PERFORMANCE.” ESPERIENZA A CONFRONTO IL DIARIO DI NAPOLI, 1980 Next, MISSING ASSOCIATES performed and screened throughout the Americas and both Western and Eastern Europe. “PETER DUDAR AND LILY ENG ARE REVELATORY.” YORK UNIVERSITY RETROSPECTIVE IS TORONTO BURNING C MAGAZINE, 2014

  • Saint-Rémi

    Abandoned in the debris of a mine, a dancer is revived by the celestial energy pulsating within him. Filmed in Quebec’s former asbestos mine of Saint-Rémi-de-Tingwick, this short film features the artist’s ‘Tetrahedron’ iron sculpture in which he dances. Serving as both a prison and a pedestal, this sculpture symbolises humanity’s detrimental creations that both elevate and destroy. This duality is also echoed in the magnificent yet barren lunar landscape of the mine, which has remained sterile since its closure in 1968. Despite the desolation, ‘Saint-Rémi’ is an ode to revegetation, a hope that flora, like the dancer, will resurface…

  • Sex is Sex

    Sex is Sex is a new collaborative video series between Vivek Shraya and Christopher Sherman that playfully challenges assumptions about sexual roles and preferences based on appearance and gender.