Film Categories: Philosophy

  • Carasoul: a Portrait in Nth Dimensions

    Carasoul: a Portrait in Nth Dimensions is an animated surrealist 4K film. The film depicts temporal, immaterial sensations and perceptions as spatially material extensions of the body. This vision of invisible dimensions within a human experience is grounded in biological and biographical forms. This work is for feeling thoughts around you like waves and forms, invisible yet tangible. One named experience is the Carasoul, the head-soul moving like a merry-go-round. It’s the imagination, the mind’s eye, the visuospatial sketchpad of the psyche surrounding the body. The Carasoul questions how one experiences time, the location and duration of consciousness, the life…

  • Glide

    * official selection Millennium Film Workshop, Brooklyn 2024 * official selection Athens Animfest – 3rd Prize Experimental Competition * official selection Les Sommets du cinema d’animation, Montreal * official selection The West Virginia Mountaineer Short Film FestivaL A meditation on the radically different means of creation available to us, Jason Zumpano’s latest short “Glide” is an invitation to the mythopoetic and the various materials, from the painterly to the digital, that bring it into existence. Against Matisse-like colour palettes and impressionistic-resolutions, the central figure of “Glide” is a woman floating on a lantern-helmed rowboat. We float through various angles and…

  • Abstract Horror

    Abstract Horror is part documentary, part speculation about the new forms of religion and spirituality mediated by new technologies. It takes inspiration from the current philosophical and scientific discourse, and it borrows heavily from the aesthetic of New Age esoteric cults.In particular, the film is a portrait of philosopher Nick Land, one of the founding fathers of leftist accelerationism who has in recent years left the West for China to become an adamant alt-right supporter, trying to bring about the end of civilization. The film is built around a conversation with Land who in its course talks about the abstract…

  • Only the crow knows him / Seul le corbeau le connaît

    The misrepresentation of images through the story of an old man who lives in the street. One day he sees photographs of himself in an art gallery. He sees himself portrayed as an old homeless man. He has no history, no childhood, no mystery.

  • Matin Dans Une Foret de Pins (Morning in the Pine Forest)

    The lives of six young people unfold in a journey through different worlds revealed and interwoven, where the boundaries between documentary and fiction, reality and dream cease to exist. The volatile and seductive landscape of urban and rural Latvia was treated as a rich context for the complex relationships one has with the world – inviting the viewer to come upon the questions that bind us in our common need to understand our humanness. This film is based on the lives of HELENA, EVA, JANKA, GUNTIS, ANNA and GALC.

  • touch

    touch (ing), —(ed): Feel, move, affect, be in contact, tangent to, in relation; injure slightly; slightly crazy “My window tonight casts light out onto the snow, I cast from my eye a glance, a touchless touch…” Jorie Graham, “To 2040” We look, we touch, we make connections sometimes, and sometimes we proceed by groping blindly forward… Note that “touch and “touch : BE/longing” are companion pieces. They may be shown individually; or one after the other; or together simultaneously side by side. One aspect of these works for me was the division of all digital video in one and all…

  • Plato’s Cave

    Shadows on the wall and Einstein’s mental musings form a short meditation on the nature of reality. With voice-over quotes from Albert Einstien querying the distiction between the physical and the metaphysical, “Plato’s cave” continues Sternberg’s filmic wonderings about the nature of reality: temporal, ephemeral, tangible, ecanescent, ghostly, haptic, remembered, dreamt, momentary, eternal – the shadow and the light, the quick and the dead.

  • Momently Gone

    Momently Gone is a dive into the interiority, in the form of five video-poems, declining, like a theme with variations, the relationship to our missing ones. It was inspired by the mourning of two of my sisters, both of whom committed suicide, and that of my father, who died of cancer. This common thread gave birth to a set of works that is soothing rather than challenging, because there is sweetness in feeling close to those who are absent, there is sweetness in gathering around a universal reality. Thanks to digital tools, I work with layers of images and sound…

  • Sub Terra

    A routine tree inspection unexpectedly gives way to a journey into the deep. Set in a hidden subterranean world, ‘Sub Terra’ is the haunting mystery of a cryptic, first-person perspective.

  • Sunprints 1,2,3

    Based loosely on the tripartite plan of Dante’s “Divine Comedy” (Inferno, Purgatorio, Paradiso), the film was made by applying cyanotype chemistry to blank film exposed to sun . The resultant blue and white footage was then combined with camera footage in three sections: Into the Valley, Middle Ground, Radiance.