Film Categories: Racism

  • Fire and Fury

    Montreal, 1734. A tragic event forever changes the life of a slave and of the entire city. A mystery where love, secrets and betrayal collide.

  • Pizza Roles

    This meta-porn captures our experience, as genderqueer mixed race people of color, living in Seattle during the age of diversity incorporated. Opportunities to explore meaningful differences in experience are cast aside in favor of glossy, diverse, marketing photographs as the ultimate proof of corporate status.

  • In Between/Entre Deux

    On a cold fall evening, Leila is left alone to tend the family convenience store. A series of strange clients keep her in a constant state of apprehension. Language and cultural barriers also contribute to the making of a nerve-racking evening.

  • Semiotics of Sab

    This experimental film essay explores the poetics of identity through an oblique portrait of gay Japanese American actor Sab Shimono. For more than five decades, Shimono has performed on stage and screen in over 150 roles as warlords, bus boys, and businessmen. Shimono asks, “How is it that we know who we are?” Recalling early structuralist works by Hollis Frampton and Martha Rosler, Semiotics of Sab displays the grammatology of queer Asian American masculinity through conflicting lexicons of race, representation, and selfhood.

  • Heartbreak

    “Heartbreak” is a tribute to black mothers. It was written and produced in response to the constant threat of brutality they and their children (particularly boys) live under. Through poetry and the voice of a 5-year-old boy it relates the very real physical and psychological toll that violence has on black bodies and black souls.

  • The World in Ten Blocks

    Welcome to Bloorcourt, one of Toronto’s most diverse neighbourhoods. Small business owners from all over the world have made this one of the most vibrant parts of Toronto. Meet some of these immigrant entrepreneurs and hear about their dreams, struggles, victories, and the unexpected ways in which they’ve changed. An intimate journey into the kitchens and behind the counters of small businesses where cultures and traditions are preserved, shared, and evolve.

  • Mount Misery

    Emotionally drained after learning of the death of her long estranged sister, an elderly woman spends the day lost somewhere between her past and present and her conscious and subconscious mind. In this state, she ponders the inevitabilities of life, death and the hereafter. “Mount Misery” won Best Film prize at the Black International Cinema, Berlin film festival, 2017.

  • I Want To Kill Myself

    Contemplating suicide: a biography.

  • Whitewash

    “Whitewash” examines slavery in Canada and its omission from the national narrative. The country prides itself as being the benevolent refuge where enslaved Africans who were brought to United States gained their freedom via the Underground Railroad. That powerful image overshadows the fact that slavery was legal in Canada for over 200 years under both French and British rule. “Whitewash” brings to light some of the slave families that were brought to Prince Edward Island by Loyalists and looks at how nine generations of descendants have assimilated to the point of leaving very few visible traces of their origin.

  • Luna e Santur

    “Originally commissioned as a short for Ben Coonley’s My First 3D Part 2 at Microscope Gallery, I expanded this project into what it currently is: hooded figures, violent passion, and stroboscopic tenderness brought on by a paranormal encounter I had in the summer of 2015.” –JGS ‘‘A visually assaultive threnody for losses never fully revealed and composed for monstrous times, LUNA E SANTUR mingles sex and death with the supernatural and subnaturalistic.’-Colin Beckett “Moon and sun are elliptically and stroboscopically conjured in Joshua Gen Solondz’s cloistered yet operatic Luna e Santur. In milky, hand-processed images, hooded figures recalling Magritte’s The Lovers enact a…