Film Categories: sexuality

  • Thorn on her side

    A human narrates the story of a bad dream after buying a gorgeous plant at the market. What starts as an innocent encounter to relieve loneliness from isolation becomes a nightmarish seduction scene between a plant and its human. Together they give birth to a new creature.

  • WE DON’T TALK LIKE WE USED TO

    “Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.”-TIFF “We Don’t Talk Like We Used To” continues Joshua Gen Solondz’s loose series of addled diary films with a film that is part travelogue, part affective almanac, and part cinematic noise show. With stops in Hong Kong, New Hampshire, Japan, and Brooklyn, the film alloys obscured faces, oozing on-screen text, throbbing abstractions, solarized superimpositions, and the occasional dad joke into…

  • Negative / Positive Film

    Negative / Positive Film is a hand-made, camera-less collage film composed of layers of erotic 16mm films from the 1920s, 1940s, and 1970s, intermingled with nature documentaries and layers of organic materials. This visual abstraction merges together both positive black-and-white film and its negative black-and-white counterpart – on the same film base. This allows the film to exist in two versions, one positive and, the other negative. The film is an abstract remediation of female bodies dislodged from their original erotic context and ripped away from their male co-protagonists. The man is removed from the picture, while the female body…

  • Muses

    A dancer wishes to break free from his unfaithful choreographer. In the midst of the deteriorating intimate relationship between a dancer and his older choreographer, the latter finds inspiration in another member of their company. This personal film delves into the intricate dynamics of inspiration, domination, and dependence within the LGBTQ+ dance world. It also depicts the raw experience of betrayal through the visceral and universal language of dance.

  • Greenhorn

    While at a dinner party with friends in the city, 20-something masculine presenting Logan receives a phone call that her estranged Father has been in a car accident. With encouragement from her Mother, Logan decides to travel back to her rural hometown to care for him. Logan spends the first few days clearing out the house, reconnecting with her childhood, and preparing for her Father’s return from the hospital. While organizing some of his things, she comes across an old Western movie and her Father’s old Western wear from his glory days as a ranch hand. Letting her curiosity get…

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • Haven

    Animated magazine cutouts of two men having sex lead into appropriated gay porn images, blurred to the point where they become abstract colour and motion. All this is set to pastoral sounds, sex noises, and a reporter’s voice-over about the RCMP’s “fruit box” experiments – official and ludicrous attempts to expose closeted gay men.

  • Sultana’s reign

    Sultana of New York is a Palestinian drag queen, performer, and artist. “Sultana’s Rein” opens with a conversation with Sultana, as she is being painted by Jordanian artist, RIDIKKULUZ. Reflecting on her journey from Jordan, Egypt, Lebanon, to then New York, Sultana tells of the challenges of performing drag in conservative societies, her nostalgia for the glory days and the glamour of Egyptian cinema icons, and her struggle to prove her existence and her self-expression as a performer and artist. She also shares her love of celebration and her everlasting commitment to be true to herself.

  • Golden Streams

    Joel Gibb’s first film shot on super 8 edited by Robert Kennedy layers multiple shots of piss to create a unique grid, a utopic idea of heaven and the beginning of life itself.

  • WAR TIMES

    An exploration of two souls inhabiting bodies from 1940’s Hungary, and the beginning of the digital age. Adoring and loathing one another until full acknowledgment that it should always be this way.