Film Categories: Time + Space

  • HookLineSinker

    Lead, rope, single-channel video projection, sound (5:00 loop), 2005-2014 An installation that challenges the viewer to negotiate between two and three-dimensional space. A rope from above penetrates a simulated “hole” in the projected image of water. An additional simulation of refraction leads the rope below the “surface” of the water to an oversized lead sinker toward the viewer’s space.

  • The Astronauts’ Bodies

    When his two mature children Anton and Linda start leaving the house, after graduating from school, father Michael stops taking care of his body as a protest. His son Anton takes part in a bed-rest-study to contribute to space-traveling, while his sister Linda is in search of her first sexual experience and is drawn to a suspicious young man. The film is a poetic story about the progression of dreams to go to space and about the organic beauty of the human body, its desires and longings.

  • May 35

    A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne

  • ABYSS

    Four ancient Gods, half human, half animal, are trapped in an Abyss for their human sins. One of them removes her mask and starts a dislocated dance. She tries to escape the room, hopeless. None of the other Gods, still obsessed with their inner demons, seem interested in her performance. As the dancer tries a desperate last move, she is drowned in a thick white mist, defeated.

  • Topology of a String

    Topology of A String is a video installation of seven looping videos that investigate permutations and possibilities of a single continuous line in space. Without ever breaking the line, hundreds of variant forms can be created by weaving the string over and under fingers, across the palms or backs of the hands. This project links string games, an ancient form of entertainment shared by cultures the world over, to the branch of mathematics called topology. Each sequence starts at the same opening position yet a single change in the over-under pattern results in a completely different form. The near infinite…

  • Vanilla

    Vanilla takes you through the everyday ordinary life of a disabled senior citizen living in Ottawa, Canada. It is a portrait documenting aging and the loneliness of those suffering in silence. The black and white film was shot on 16mm Bolex film camera using a KODAK 7222 Double-X Negative film. Processed by Niagara Film Lab (Toronto). Created as part of Independent Filmmakers Co-operative of Ottawa (IFCO) – Dogme Production Challenge.

  • Gaming Fields

    We are always playing with each other in different gaming fields.

  • Contents

    An old wallet, abandoned intact, kept for unknown reasons. Uncorroborated memories of a close (but distant) relation. How are these documents speaking to each other? What is the nature of their harmony? Official versus living memory: each useless, unstable, disintegrating. Is memory the bureaucracy of the self? How does it order our lives?

  • Waiting (انتظار)

    A young woman journeys to visit her grandmother. What transpires between the unsaid and silence propels into a prolonged moment of tension and desires of connection. Image description: A young woman and her grandmother sit next to each other on a couch. They both look straight ahead with stony-faced expressions, not talking.

  • Before After Again

    In a series of reflections and reversals, this dual-projector film follows the flow of carbon from mountains to sea, as it is transformed from forest ecosystem into industrial landscape, and back again. Commissioned for the End of the World project by Iris Film Collective and funded by the Canada Arts Council. Although its interpretation was left entirely to us, the project title made reference to the West Coast as the edge or end of Canada; to global concerns over the compromised and fragile state of the planet; and to the often predicted “end of film”. To link the final films…