Film Categories: Time + Space

  • Stillness (Inertie)

    Through an innovative and unexpected approach to 16mm frame-by-frame cinematography, Pelletier offers a deconstructed and introspective view of portraiture. Idle faces come in and out of existence through a dance of light and texture, toying with our perceptual need to project our own image onto the abstract. Reminiscent of a meditative state, the concept of self can be fleeting.

  • Pilgrimage (Pelerinage)

    A simple walk in the park can become a spiritual experience, a moment of discovery, a pilgrimage. This film explores the meditative nighttime allure of the Parc Lafontaine in Montreal, Canada, turning this public space into a dark sanctuary.

  • Flightfilm

    A window onto the world where clouds mingle with the fog of film chemistry.

  • 24.24.24

    24.24.24. is a view of a day in concurrent time. All of the day’s twenty-four hours are presented at once. In the minutia of time, banal events unfold and are made extraordinary through the camera’s gaze. People go to work and to school, time is stretched and skewed, the act of taking a walk or watering a lawn develops a magical quality. Light gains character, shadow reshapes objects, and time becomes palpable. Take a look.

  • Gibraltar Point (transformed)

    Erratic flashes of light spark across a flickering expanse of Lake Ontario. The image itself can’t be contained as light and debris spill outside the frame. The random alchemy of hand-processing techniques creates a landscape that transcends the observable, edging into the sublime. The ninth work in an ongoing series of poetic landscape films. “Gibraltar Point (transformed)” was created during a residency at Artscape Gibraltar Point on Toronto Island. Shot on black and white 16mm film, hand-processed, then transferred digitally with an ambient sound design by Michelle Irving. Selected screenings: Festival International du Film sur l’Art (Montreal, QC, 2017); Antimatter…

  • Burning Mountains That Spew Flame (Montañas ardientes que vomitan fuego)

    The interior of the earth became a refuge from the threat that moved closer and closer to the island. The volcanic tubes served as communication vessels between time and space. This was where they experimented their resistance.

  • The Promise

    Set in an open field, the two men dance, jumping from reality to dream, as they follow a path, a metaphor for structure in their pursuits, giving meaning to their struggles.

  • Membrana Mortis (Dead Film)

    “Membrana Mortis” is a meta-film, a chaotic assemblage of re-photographed and chemically manipulated image fragments culled from a damaged roll of film that was nearly un-projectable. The films title suggests a two-fold intention – here process and existence pre-suppose one another, at once an elegy to a dead film and observance of new genesis. This film was commissioned by the Independent Filmmakers Cooperative of Ottawa with support from the Canada Council for the Arts for Origin 8, a program commemorating the 50th anniversary of the Super 8 format.

  • ôtênaw

    “ôtênaw” is a film documenting the oral storytelling of Dwayne Donald, an educator from Treaty 6, Edmonton Canada. Drawing from nêhiyawak philosophies, he speaks about the multilayered histories of Indigenous peoples’ presence both within and around amiskwacîwâskahikan, or what has come to be known as the city of Edmonton.

  • South Lakewood North

    A personal landscape film of time and memory and a porch. A time-tunnel of moments and experiences.