Film Categories: Trans*
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Little Devil
A troublesome, disabled fag hag absconds to London to find love and opportunity. But life deals her some unexpected twists when she winds up peddling drugs to the queer community and forms an unorthodox relationship with a washed-up gay male escort. On its surface, Little Devil is designed to be an entertaining, but controversial comedy-drama with some crazy and off-the-wall characters trying to get by, and ultimately find happiness, in a troubled and often unfair world. But scratch beneath the surface and it is a film that has a lot to say about perceptions of sex and disability while opening…
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Mindtease
The accidental reveal of a burlesque dancer’s “true” identity leads to a moment of self-questioning for the audience, and for one voyeur in particular, some deeper self-exploration.
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DOH! OH DEAR, A FEMALE TEAR!
Using the voice as a metaphor for political voice, Stephen Chen traces his journey as a male mezzo, faced with prejudice and marginalization back in Singapore, and later in North America. The schooling and suppression of his voice becomes interwoven with his experiences of colonialism and exile. Playing with the biography documentary form, DOH! OH DEAR, A FEMALE TEAR! brackets issues of voice / gender / representation as Stephen traces his westernization, the discovery and silencing of his voice, and people’s reactions in Singapore and North America. Reflecting on the “unsettling” quality of his voice, Stephen decided to exploit the…
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the body of Others
the body of Others, is an experimental video that engages the tensions between sexuality, identity, visibility, representation and the body, as it relates to queer subjectivity. The video asserts a dynamic relationship between queer subjectivity and the representation of queer identities presented through ideological systems of representation, as performed by the queer body. The video questions the boundaries and distinctions between the visible/invisible, personal/political, private/public, body/technology, human/animal, interior/exterior and normal/other. the body of Others presents a body that is unstable and drifts over itself into space. The body fuses with the unknown and becomes an amalgam of skin, flesh, fur,…
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Scenesters
A group of friends play a party game where they give each other clues to guess the titles of queer films.
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The 6 Gays You’ll Date Before You Die
Gay dating in a nutshell
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Solstice Moon
A glamour girl is lost in a play while trying to identify herself sexually in a male dominant world.
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The Dancer and The Crow
Who we are on the outside does not always represent who we are on the inside. When one man takes a closer look at his inner self, he discovers the beauty he has been hiding from the world. He decides to stop hiding and embrace who he truly is.
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100 Crushes Chapter 6: They
“The director’s feelings of envy and resentment of a roommate’s pronoun-of-choice eventually evolve into delight in one simple word. This freedom allows for new embodiments of gender—as beautiful and strange as a unicorn, a pair of wings or a bouquet of roses.” — Inside Out 2014 Toronto LGBT Film Festival
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MY WOUNDED HEAD
A transwoman puts on makeup. The makeup and her movements are a metaphor for her transformation, as well as the dialectical revealing and concealment of herself from the scrutiny of the outside world. Taking its title from Marc Chan’s composition, MY WOUNDED HEAD is an experimental short film that investigates issues of representation, preconceived notions and reflexivity. Marc’s music, featured in the soundtrack, is itself a reflexive reinterpretation of a set of chorales from Bach’s St. Matthew’s Passion, “O Haupt voll Blut und Wunden” (“O Sacred Head Now Wounded”).
