Film Categories: Work about Women
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Good Stuff
“Good Stuff” is a dark comedy about an alienated, gothic private school girl who discovers that she has a terminal illness. The film finds irony and humour in dealing with the cards fate has dealt you. Awards: Best Short Film, Chicago International Film Festival; Bronze Award, Houston WorldFest
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Cityscape
“Cityscape” is an impressionistic documentary film intended to create a social awareness of the need to design safer cities and urban environments for women.
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object / loss
“object/loss” addresses themes of physical loss, memory, sexual identity and the didactic divides that shape the fabric of our social existence. Ghostly images collide and fragment as traces of memory resurface and disappear. The title refers to the work of Julia Kristeva on the melancholy/depressive position which occurs through object loss, and the contingent aggression towards the lost object. At the same time the film attempts to examine the consumption of the male figure and its objectification from a feminine heterosexual position.
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Coming Out at Work Is Hard to Do
When you’re in the closet at work, “coming out” is always a drama. But no one expects it to be like the jaw-dropping experience recounted in this short, sharp and funny tale. Coming out at work is indeed hard to do. Awards: HBO Audience Award for Best Female Short, Seattle Lesbian & Gay Film Festival, USA
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Dominion
A reworking of images of Princess Diana drawn from a CNN tribute called “The People’s Princess.” The isolated and manipulated images point to England’s colonial past and to the elusiveness of a media image.
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you wash my skin with sunshine
With few childhood memories of her mother’s affection, Mullen mines old home movies for evidence. When she doesn’t find exactly what she’s looking for, she sets out to create a new family movie of her own, starring her surprisingly willing mother. A reflection on memory, loss, reconciliation and love.
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Marjoun and the Flying Headscarf
An Arab-American girl tries to come to terms with her sexuality while balancing the mores of two different cultures. As she faces a series of trials on confrontations, will she shed her passivity, or will her spirit be broken? Arabic/Hebrew with English sub-titles. Selected Screenings: 2006 Sundance Film Festival, Park City, Utah
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Finite, The
“The Finite” lays bare the ephemeral nature of family, home and life on earth through a combination of home movies and archival footage from a science documentary. The two forms of imagery entwine along a common and inescapable course toward destruction, revealing the gravity of personal loss. Selected screenings: Toronto International Film Festival, 2004; CFC Worldwide Short Film Festival, 2006
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Observatory, The
An ambient track of evening sounds accompanies rephotographed sketches of the night sky by Jerry Spevak. “The Observatory” turns the heavens on its head: the blackness of space becomes the white of the page, the stars and galaxies precise points of black graphite. The pages of Spevak’s sketchbook are animated to capture the rotation of and movement through a vast, spectacular universe. Selected screenings: Toronto International Film Festival, 2004; Best of the LIFT $99 No Excuses Film Festival, Toronto, 2004
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Living Space
“Living Space” is a film about the relationship between architecture and illness which follows the construction of a new cancer care centre designed by architect Frank Gehry. It traces the process of creating a space specially designed for people affected by cancer, a patient-centred approach which attempts to counter the alienating atmosphere of the hospital. This was Gehry’s first commission since the Guggenheim Museum in Bilbao and his first building in the U.K.
