Film Categories: Work about Women

  • Applying and Removing

    Applying: a nude woman is painted completely black. Attention concentrated on the process of going from white to black. Removing: she washes herself off in the bathtub, and goes from black to grey to white. Seemingly austere, the film is resonant on many levels, and each viewer brings to it his/her own associations.

  • Before Me

    An incomplete family story leads the filmmaker on a quest to find her mother in the British archives. The discovery of a photograph unearths a story of upheaval, desolation, and ultimately, transformation. A lament for a mother whose life was lost, then found, in the dust of the archive.

  • Quack Quack

    Quack Quack is a moving image collage that utilizes magazine cut-outs from porn magazines and found footage. Multiple analogue techniques such as contact printing, optical printing, mordançage, mono-flex, chromo-flex, and hand processing help convey the over-stimulation of media; reverting an intangible concept into a tactile form. These images meshed together allude to the negative effects of media fetishization that feed into incel culture and violence against women.

  • Green Dream

    In “Green Dream”, Josephine Massarella has infused her vibrant, impressionistic images of nature with the spirit of the goddess Artemis. Evocative and abstract, “Green Dream” relies on a wide range of experimental techniques, including pixilation, optical printing, and manipulated motion to achieve a dreamlike state where the relevance of beauty and the irrelevance of use can be contemplated. Reminiscent of the work of French experimental filmmaker Rose Lawder, “Green Dream” confronts modern overdevelopment with overpowering life forces.

  • Searching for Justice

    Searching for Justice is a thought provoking short film by Tasha Brown that delves into the lack of fairness and equality, which is deemed insignificant in many societal norms. Fluid eclectic movements of dance are interwoven with the illuminating original spoken word written by poet Kells James.

  • Traces / آثار

    In the midst of the rubble of a torn building, a reel of film. An unlikely unraveling of queer bodies taking shape and form, while the war-torn city around and its spectacle of toxic masculinity glitches and disintegrates.

  • Next Time Might Be Yes

    Audrey, an anxious college student who’s holding herself back in life confronts her fear of rejection with the help of her therapist. Along with her best friend Sienna, she finally does the things she’s always wanted to: crash a party, ask for a raise. However, there’s one big thing that she’s been too scared to do – telling Sienna that she has feelings for her.

  • Maya at 24

    Lynne Sachs films her daughter Maya in 16mm black and white film, at ages 6, 16 and 24. At each iteration, Maya runs around her mother, in a circle – clockwise – as if propelling herself in the same direction as time, forward, on celluloid at 24 frames per second. Conscious of the strange simultaneous temporal landscape that only film can convey, we watch Maya in motion at each distinct age.

  • Fragmentasia

    An exploration of the sense of self, through kaleidoscopic imagery, distorted sounds, and a flurry of colours. Fragmentasia is a self-reflexive short, shot on 16mm and Super8, using animation techniques, prisms, and mirrors, to examine the outward self versus the internal self.

  • Mango Lemon Soda

    After spraining her ankle fleeing a terrible date, Zahrah is forced to spend an evening with her estranged ex, Tyler.