Film Format: 16mm

  • Serena Gundy

    Serena Gundy Park, in Toronto, so named for the late wife of Toronto businessman James Henry Gundy, who influenced the financial character of early twentieth-century Canada. Gundy had owned the parkland as a family estate, and upon his death in 1951, donated the land to the city in memory of his wife. In early spring, the trees remain bare from winter, on cusp of renewal. The film takes her name for its homophonic relation to the nursery rhyme Solomon Grundy (born on a Monday, christened on Tuesday, married on Wednesday…), which cycles through the days of the week that chart…

  • Bridge 1A

    An interstice.

  • Bridge 1B

    An interstice.

  • Jenny Haniver

    A photographer steadies a Polaroid camera and composes a shot of the sky, flanked by tree branches. Later, a woman wakes from a nightmare. Jenny Haniver takes its title from a cryptid totem sold for centuries at the docks of Antwerp: a Jenny Haniver or jeune d’anvers (young girl of Antwerp) is a disfigured ray or skate carcass, carved to resemble an angel, a devil, a dragon. A series of ten filmed portraits are subject to all manner of alteration. By this they compose the hull of a ship wrecked on rocks sung by sirens. To mirror its namesake, the…

  • What Troubles the Peace at Brandenburg?

    All about red and green in time. Very much inspired by the work of Count Hermann Puckler-Muskau, Adolf Just and, above all, Gerhard Richter. A mnemotechnic and threnody for the infirm of Brandenburg an der Havel and environs during a time of hate (too like our own).

  • Faultlines

    In a tapestry of migratory luck, artifacts and shell, a mixed choir of images and sounds engages the paradox of a journey that loses all meaning once it reaches its end. The film’s westward inclination to the American shores of the Pacific, bound in a pitiless growth and decay, drives a dense montage, woven with guns and prayers.

  • Field

    An afternoon spent in an orchard picking fruit with family. “In the midst of beings as a whole an open place occurs. There is a clearing, a lighting.” – Heidegger

  • Gulf

    This film was shot on the north shore of Cuba looking towards the Gulf of Mexico, just months before 4.9 million barrels of oil was spilled by Deepwater Horizon between April 20-July 15, 2010. Wave patterns fill the frame, tearing apart the filmstrip itself. Selected Screenings: Berwick FIlm & Media Arts Festival, 2017 (Berwick-on-Tweed, UK)

  • Passage

    A lost portrait of my brother.

  • Reflections I

    A meditation on light and water; landscape as self-portraiture.