Film Format: 16mm

  • Journeys from Berlin/1971

    In “Journeys from Berlin/1971” there are five characters: a man, woman, and adolescent girl who “appear” only on the sound track; a female psychoanalytic patient in her early 50s; and a therapist, or analyst, played alternately by a man, woman, and nine-year-old boy. The speech of the analytic session is synchronous with the image. The voice-over of the other three people bears a constantly shifting relationship to a recurrent gamut of images: views from a moving train window and from various apartment windows in Berlin, London, and New York; tracking shots scanning a mantlepiece cluttered with objects; aerial views of…

  • Julie: Old Time Tales of the Blue Ridge

    80-year-old Julie Lyon, sister of Old Time fiddler Tommy Jarrell, lights up this gem of a film as she spins tales of her Appalachian childhood in North Carolina – and her first romance.

  • Arabic Numeral Series – Arabic 2

    This series of films, each extraordinarily unique from every other (except “0 + 10” going together) is inspired and governed by strata of the mind’s moving-visual-thinking different from that of the “Roman Numeral Series” or perhaps one should say that the Arabic Numerals come to fruition thru some tree-of nerves separate from that which gave birth to the Romans (as it is physiologically deceptive to think of thought as existing in “layers”). The Arabics range in length from approximately 5 min. to 32 min. and may be projected at 24 fps as well as 18, tho’ the latter speed seems…

  • Just Before the Dawn

    Whether you’re in Honduras or in California, the symbols of the good life are the same… Coca-Cola, lottery tickets, and designer jeans… the difference is that in Honduras, most people can’t afford to buy. To combat the desperate poverty, the women of Honduras have started to organize. “Just Before the Dawn” focuses on three groups of women in rural Honduras who are discovering they can effect changes they never even dreamed of.

  • Keltie’s Beard: A Woman’s Story

    Before Keltie came along, the women in her family removed their facial hair and told no one. Keltie is proud of her beard and tells her story to us in this single-take film.

  • Kick That Habit Man!

    The phrase “kick that habit man”, which is also a poem by Brion Gysin, is re-arranged in every possible order in this clever blend of sound, image, and optical printing.

  • Arabic Numeral Series – Arabic 3

    This series of films, each extraordinarily unique from every other (except “0 + 10” going together) is inspired and governed by strata of the mind’s moving-visual-thinking different from that of the “Roman Numeral Series” or perhaps one should say that the Arabic Numerals come to fruition thru some tree-of nerves separate from that which gave birth to the Romans (as it is physiologically deceptive to think of thought as existing in “layers”). The Arabics range in length from approximately 5 min. to 32 min. and may be projected at 24 fps as well as 18, tho’ the latter speed seems…

  • Kisses

    “Betty Ferguson’s ‘Kisses’, an hour-long anthology of film clips presented without titles or voiceover, is the sweetest and, in avant-garde terms, the most conventional film on the program. Although the kiss reached its supreme expression as the on-screen replacement for copulation in post-Code Hollywood, Ferguson’s material is drawn largely from silent classics and the less-fetishized European cinema of around 1960. She compares her film to a patchwork quilt, but it’s basically morphological, cataloguing clusters of shots where kisses are delivered to the hand, the neck, rained down on a beloved face, perfunctorily bestowed on a spouse, awarded to dogs, dolls,…

  • Kitchener-Berlin

    Part One: “A Measured Dance” 17 min. Part Two: “Prologue” and “Veiled Flight” 17 min. NOTE: Part One can be screened on its own. “Hoffman juxtaposes his home town, the Canadian city of Kitchener (formerly called Berlin), with its European namesake of the World War II era. The hyphen in the title suggests both severance from the past and connections to it. The history of the area underpins the film, but refuses to bind it or restrict it from free association. Hoffman assembles a wide range of visual materials including home movies, television, news footage, and archival film, as well…

  • Lac La Croix

    Native people young and old speak about land issues, the environment, and the culture and history of Lac La Croix Ojibway peoples of northwestern Ontario. The film examines issues such as the community ban on liquor, the fight against welfare dependency, and the effects of the media on young people. “Lac La Croix” was made with the full cooperation of the Lac La Croix community. In the film, many different people speak about their lives and their current political struggles. This is a film about a Native community fighting successfully for survival, blending the old and the new.