Film Format: DCP

  • C’est à qui, cette ville?

    “C’est à qui, cette ville?” is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city. 38 years later, “C’est à qui, cette ville?” revisits many of the same locations and contemplates a more mature perspective on urban living. This film was shot on outdated super 8 stock which gives the image a patina of time passing. Musical score by Montreal-based artist and composer, Jackie Gallant.

  • exoplanets

    Some of the distant worlds orbiting other stars discovered by astronomers.

  • Homunculi

    Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments. Reassembled, these once disparate images form a cinematic prism in which to view and confront the prevalent anxieties of an increasing uncertain future. Homunculi is a visual and sonic daydream, reaching beneath the facade of domestic and pastoral tranquility to reveal a lurking, inevitable force that promises to tear the world asunder.

  • Women of Resilience

    Women who have survived war, abuse, displacement and loss share their paths to resilience. 4 stories. 1 central thread – relationship makes us resilient. This documentary celebrates resilience in older women, who have lived through trauma and healed. The film features 4 older women who have gone through abuse, wars, prejudices and trauma, and they healed through relationship. The thesis is that human beings are designed to heal, and trauma interrupts that design. Secure attachment -a relationship within which someone feels loved, seen and valued- can repair the break and restore the healing design of the human brain and body.…

  • Oracle

    A collaboration between filmmakers LeAnn Erickson and Jake Rasmussen, in conjunction with sound artist Howard Stelzer, Oracle is a video short that uses a variety of animation techniques to create a circular visual/auditory experience- revealing the Oracle.

  • Upwards Tide

    A magical lunar reverie filmed over four years on the days and nights of the full moon, this shimmering moving-image poem fluidly combines images of the saltwater Loch Carron in the Scottish Highlands and leafy Viennese forests. The two locations blur and bleed into each other, just as the film itself (shot on gloriously outdated analogue stock) wanders freely among human bodies and bodies of water. Transcendent, transfiguring, transformative. (Neil Young)

  • Tell Me about SunTea

    Tell Me about SunTea (Super 8, Digital Video, Colour, Stereo Sound, 6 minutes and 47 seconds) Tell Me about SunTea builds a conversational and spatial ecosystem, weaving together the disparate spaces of the Toronto Islands and Covington, Texas. The film considers the life cycles of plants and animals, as discussed by the filmmaker’s Gram and as remembered by the filmmaker. Conversational obstacles and a failed interview attempt are re-imagined as off-road opportunities. The repeated voice over reveals changes in cadence and content that point to the fragile intimacy held in language and storytelling. “Considering different forms of mechanical and organic…

  • The Birth of a Beautiful Butch

    “The Birth of a Beautiful Butch” is a story about Alex, a gay high school senior, caught between who she is and what she’s supposed to be. On the day of her school pictures, Alex feels struck with an appearance that doesn’t fit right with her body. When she retreats into her mind, she is able to imagine the person she wants to be. Ultimately, she transcends the judgement of others through fashion in an authentic expression of herself.

  • Savage / Future

    Editing to the soundscape of shaking Iroquois white corn and finger tapping, Seneca filmmaker Terry Jones uses personal and historic still images to link his family and the American Indian Residential Boarding School experience.

  • Folds of Stone

    Rock is subject to constant change. Natural forces, geodynamics, and anthropogenic interventions shape the supposedly rigid matter as an extended organism, which can only be perceived in geological thinking of time. In their short film “Folds of Stone” Nicole Krenn and Lisa Truttmann continue these thoughts: We see breathing stones, pulsating furrows, trembling rocks, material that vibrates. Microscopic landscapes dissolve in the image. Surface, materiality and structure oscillate between jagged rock edges and soft, silky fabric folds. The two artists translate a multimedia installation from an old sawmill at national park Gesäuse into the cinema space, showing the process of…