Film Format: DCP

  • Letters From Eniwetok

    A woman who lives by the beach retrieves objects brought to her by the tide. Selected Screenings: Concrete Dream Film Festival (LA, USA), 2018; Panoramica (CDMX, Mexico), 2018; Haverhill Film Festival (Haverhill MA, USA) 2018; Cinemistica (Granada, Spain), 2018; Berlin Liberi Film Festival (Berlin, Germany), 2018. And upcoming at Big Muddy Film Festival (February 2019 in Carbondale, Illinois, USA) and Fargo Film Festival (March 2019 in Fargo, North Dakota, USA).

  • UUFO

    “UUFO” consists of six short chapters/stories. Each chapter describes a memory. The film deals with conflicting interpretations of China from the 1960s onwards, contrasting past generations’ stories with my own generation’s interpretations. UUFO stands for Universal Unidentified Flying Object.

  • In a Foreign Country

    A cinematographic transcreation of a text censored in 1968.

  • One last night without sadness

    Fleeing the temptations of the city, two young marginals squat a cabin in the heart of the forest. Torn between their desire to live and their impulse to die, they live a love story out of time.

  • The Shiva Callers

    When a closeted woman’s girlfriend shows up unexpectedly to her grandfather’s shiva, she must do anything in her power to stop her family from finding out.

  • REBIRTH

    “A dance ritual which turns into recreation of the self.” Transformation is a dance ritual. With every move you are born again. With every little step, you cut the umbilical cord. With every turn, you create a new shell.

  • Royal Jelly

    The film begins in abstraction, then we are greeted by a drag queen that we follow down the rabbit hole to meet the menagerie of people that have become her community.

  • Sira

    ‘Sira’, in Arabic, literally translated, means biography. Arabs are a people known for their oral tradition. Through excavated footage and narration, Sira examines the displacement of a family, beginning with the event that catapulted their exodus from Kuwait as a result of the Iraqi invasion.

  • Presentation

    Holly, an anxiety-ridden high school sophomore, is faced with the challenge of giving a class presentation. As a result, she considers self medicating with Xanax.

  • Reinaldo’s Motifs

    In 1927, Reinaldo Ferreira, a well-known journalist and writer who published under the pen name ‘Repórter X’, founded the cinema production company Repórter X Film, through which he directed four films that same year. Among them we find “O Táxi no. 9297” and “Rita ou Rito?…”, where homosexuality, transvestism and drug use feature explicitly in Portuguese cinema for the first time. “Reinaldo’s Motifs” is an audiovisual essay that focuses on a series of recurrent motifs in Reinaldo Ferreira’s cinematic work. A commissioned work by the Cinemateca Portuguesa, in which I tried to play around with these recurrences, in a manner…